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W. B. Yeats and Folklore: The Search for an Irish Identity

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This paper explores Yeats’s use of folklore in the 1880s and 1890s. I think that Yeats uses folklore to cast himself as Irish, so that he, as a Protestant, middle class urbanite, could take part in the nationalist movement. It is also an attempt to forge his Irish identity by showing that the traditional folklore of the Irish peasantry was the inheritance of a universal primitive religion, and that folklore and the occult pointed to the same source. By claiming that the peasant was imbued with the same esoteric, ancient mysticism that he himself had adopted, Yeats drew a link between himself and the peasantry, thus giving himself access to Irishness. His self-imposed role as the artist who revitalizes culture gives him the power to make this link between himself and the peasantry through emphasizing certain aspects of their folktales that appear to show the influence of primitive religion.

Abstract

This paper explores Yeats’s use of folklore in the 1880s and 1890s. I think that Yeats uses folklore to cast himself as Irish, so that he, as a Protestant, middle class urbanite, could take part in the nationalist movement. It is also an attempt to forge his Irish identity by showing that the traditional folklore of the Irish peasantry was the inheritance of a universal primitive religion, and that folklore and the occult pointed to the same source. By claiming that the peasant was imbued with the same esoteric, ancient mysticism that he himself had adopted, Yeats drew a link between himself and the peasantry, thus giving himself access to Irishness. His self-imposed role as the artist who revitalizes culture gives him the power to make this link between himself and the peasantry through emphasizing certain aspects of their folktales that appear to show the influence of primitive religion.

참고문헌 (32)

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