본문 바로가기
KERD
논문KCI 등재

크리스티나 로제티의 후기시 『시』(Verses)의 침묵과 비전

Silence and Vision in Christina Rossetti's Verses

0

조회

0

다운로드

1

인용

0

참고문헌

키워드

주제분류기타인문학

초록

Christina Rossetti wrote a lot of devotional poetry in an age when social restriction on women was the common rule. As an Anglo- Catholic Rossetti was influenced by Tractarianism, which pursued the principle of Reserve. The concept of Reserve is that since God is ultimately incomprehensible, we can know Him only indirectly. The truth of God is hidden and given to us only in a manner suited to our capacities for apprehending it. Reserve denotes the indirection necessary in speaking of religious matters as indirection used by God Himself in conveying truths to humankind. It is the holding back and the gradual unfolding of the knowledge of the Infinite. Likewise, Rossetti makes use of silence, reticence, restraint, veiling of meaning in her devotional poems. While the doctrine of Reserve says the truth is hidden and revealed gradually, Augustine seeks to grapple the challenge of how (not) to speak of God which exceeds and resists conceptualization. When we speak of God, one reduces God's transcendence to the immanence of language and concepts, or one remains silent. Augustine says that an incarnational account of language does justice to the alterity of God. When the Word became flesh, the transcendent God descended into the realm of immanence. The Incarnation made it possible to bridge the chasm between humanity and God. By the account of incarnation, Augustine is able to understand language which grants access to things, but at the same time leaves them in their transcendence. For Augustine, the inexpressible was able to be expressed by Incarnational poetics. As in the doctrine of Reserve, something indescribable can be described by incarnational poetics. The silence in the poetry of Rossetti can be connected to the principle of Reserve so that this poetic silence was not passive acceptance of external world but active participation of God's Reserve. God hides the divine truth but reveals it gradually at the same time. Rossetti uses the imagery of death, darkness, concealment, and silence as in the principle of Reserve. Therefore Rossetti not only preserved silence and reserve but also sublimated them to a heavenly realm through Verses . At the end she enjoys the promised oneness with God. Through this light of heaven Rossetti shows visions for the future. The achievement of Rossetti is that she became the representative voice of the Christians in the Victorian period.

Abstract

Christina Rossetti wrote a lot of devotional poetry in an age when social restriction on women was the common rule. As an Anglo- Catholic Rossetti was influenced by Tractarianism, which pursued the principle of Reserve. The concept of Reserve is that since God is ultimately incomprehensible, we can know Him only indirectly. The truth of God is hidden and given to us only in a manner suited to our capacities for apprehending it. Reserve denotes the indirection necessary in speaking of religious matters as indirection used by God Himself in conveying truths to humankind. It is the holding back and the gradual unfolding of the knowledge of the Infinite. Likewise, Rossetti makes use of silence, reticence, restraint, veiling of meaning in her devotional poems. While the doctrine of Reserve says the truth is hidden and revealed gradually, Augustine seeks to grapple the challenge of how (not) to speak of God which exceeds and resists conceptualization. When we speak of God, one reduces God's transcendence to the immanence of language and concepts, or one remains silent. Augustine says that an incarnational account of language does justice to the alterity of God. When the Word became flesh, the transcendent God descended into the realm of immanence. The Incarnation made it possible to bridge the chasm between humanity and God. By the account of incarnation, Augustine is able to understand language which grants access to things, but at the same time leaves them in their transcendence. For Augustine, the inexpressible was able to be expressed by Incarnational poetics. As in the doctrine of Reserve, something indescribable can be described by incarnational poetics. The silence in the poetry of Rossetti can be connected to the principle of Reserve so that this poetic silence was not passive acceptance of external world but active participation of God's Reserve. God hides the divine truth but reveals it gradually at the same time. Rossetti uses the imagery of death, darkness, concealment, and silence as in the principle of Reserve. Therefore Rossetti not only preserved silence and reserve but also sublimated them to a heavenly realm through Verses . At the end she enjoys the promised oneness with God. Through this light of heaven Rossetti shows visions for the future. The achievement of Rossetti is that she became the representative voice of the Christians in the Victorian period.

참고문헌 (14)

  1. Arseneau, Mary, "Recovering Christina Rossetti: Female Community and Incarnational Poetics" (2005), Macmillan
  2. Blair, Kirstie, "“Breaking Loose: Frederick Faber and the Failure of Reserve.”", 25~41 (2006)
  3. Charles, Edna Kotin, "Christina Rossetti: Critical Perspectives" (1862), Associated UP
  4. Kent, David A, "The Achievement of Christina Rossetti" (1987), Cornell UP
  5. Mason, Emma, "“Christina Rossetti and the Doctrine of Reserve.”", Journal of Victorian Culture 7, pp.196~219 (2002)
  6. Mason, Emma, "Tractarian Poetry: Introduction", pp.1~6 (2006), Victorian Poetry
  7. Packer, Lona Mosk, "Christina Rossetti. Berkeley" (1963), U of California
  8. Rossetti, Christina, "The Complete Poems . Text by R. W. Crump. Introduction by Betty S. Flowers" (2005), Penguin
  9. Shaw, W. David, "Poet of Mystery: The Art of Christina Rossetti", pp.23~56 (1987), Cornell UP
  10. Smith, James K. A., "Between Predication and Silence: Augustine on How (Not) to Speak of God", pp.66~86 (2000), HeyJ XLI
  11. Tennyson, G.B., "Victorian Devotional Poetry: The Tractarian Mode" (1981), Harvard UP
  12. Tennyson, G. B., "Afterword: Love God and Die - Christina Rossetti and the Future", pp.346~355 (1987), Cornell UP
  13. Westerholm, Joel, "In Defense of Verses : The Aesthetic and Reputation of Christina Rossetti's Late Poetry", pp.191~203 (1999)
  14. Williams, Isaac, "Tracts for the Times: On Reserve in Communicating Religious Knowledge 87" (2008), Canterbury

관련 논문AI추천

이 간행물의 다른 논문 (9건)