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『비전』(A Vision) 에 나타난 주요 상징 —두 “나선체”와 “큰 바퀴”를 중심으로—

The Principal Symbols in A Vision

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주제분류영어와문학

초록

Poets use symbols because they have realized that our common language is inaccurate in describing the inner reality. In A Vision, Yeats presents an elaborate symbolic pattern which he applies not only to history, but also to individual lives. One of his basic symbols is a pair of interpenetrating whirling cones or "gyres" signifying the world of change that move within a sphere emblematic eternity. The gyres, with their points at the bases of each other, represent the oppositions and reciprocity of human existence; one expands as the other diminishes. The two gyres stand for two contrasting forces―the primary or objective and the antithetical or subjective. There is a state of perpetual conflict between the gyres The “sphere” is the symbol of perfection, "Unity of Being". These symbols of sphere and gyres are equivalent to another set of symbols, in which a circle or "The Great Wheel" is marked off into "phase" that correspond to the waxing and waning of the moon. There are twenty eight such phases, with varying degrees of moonlight and darkness. They can be applied to human personality and to the incarnations of the soul. Each quarter of "The Great Wheel" represents a completely different character. The first quarter is identified with the body, the second with the heart, the third with the mind, and the fourth with the soul. The result of the mixture of these principles at any one phase must be measured in terms of "Four Faculties," which usually are at odds with one another. As "Four Faculties" with living here, "Four Principles" apply to the life after death. The Principles find their Unity in the Celestial Body, man's archetype in Heaven.

Abstract

Poets use symbols because they have realized that our common language is inaccurate in describing the inner reality. In A Vision, Yeats presents an elaborate symbolic pattern which he applies not only to history, but also to individual lives. One of his basic symbols is a pair of interpenetrating whirling cones or "gyres" signifying the world of change that move within a sphere emblematic eternity. The gyres, with their points at the bases of each other, represent the oppositions and reciprocity of human existence; one expands as the other diminishes. The two gyres stand for two contrasting forces―the primary or objective and the antithetical or subjective. There is a state of perpetual conflict between the gyres The “sphere” is the symbol of perfection, "Unity of Being". These symbols of sphere and gyres are equivalent to another set of symbols, in which a circle or "The Great Wheel" is marked off into "phase" that correspond to the waxing and waning of the moon. There are twenty eight such phases, with varying degrees of moonlight and darkness. They can be applied to human personality and to the incarnations of the soul. Each quarter of "The Great Wheel" represents a completely different character. The first quarter is identified with the body, the second with the heart, the third with the mind, and the fourth with the soul. The result of the mixture of these principles at any one phase must be measured in terms of "Four Faculties," which usually are at odds with one another. As "Four Faculties" with living here, "Four Principles" apply to the life after death. The Principles find their Unity in the Celestial Body, man's archetype in Heaven.

참고문헌 (24)

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  2. 윤정묵, "예이츠와 탈식민주의", 한국예이츠, 28 (2007), 한국예이츠학회
  3. 한기웅, "예이츠와 키이츠의 시간의 극복: 비잔티움으로의 항해와 가을에게를 중심으로", 한국예이츠, 27 (2007), 한국예이츠학회
  4. Berryman, Charles, "W. B. Yeats: Design of Opposites" (1967), Expression Press
  5. Bloom, Harold, "Yeats" (1970), Oxford University Press
  6. Bohlman, Otto, "Yeats and Nietzche: An Exploration of Major Nietzchean Echoes in the Writings of William Butler Yeats" (1982), Macmillan
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  9. Engell, James, "The Creative Imagination: Enlightenment to Romanticism" (1981), Havard UP
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  13. Moore, Richard, "The Balance: Yeats and His Supernatural System", The Yeats Review, 72 (1983)
  14. Murphy, Frank Hughes, "Yeats's Early Poetry: The Quest for Reconciliation" (1975), Louisiana UP
  15. Raine, Kathleen, "Yeats the Initiate: Essays on Certain Themes in the Writings of W. B. Yeats" (1990), Barnes & Noble
  16. Seiden, Morton Irving, "William Butler Yeats: The Poet as a Mythmaker 1865-1939" (1962), Michigan State UP
  17. Stock, A. G. W. B., "Yeats: His Poetry and Thought. Cambridge: Cambridge UP, 1964. Unterecker, John. A Reader's Guide to William Butler Yeats" (1972), Farrar, Straus & Giroux
  18. Vendler, Helen Hennessy, "Yeats's Vision and the Later Plays" (1963), Havard UP
  19. Wade, Allan, "The Letters of W. B. Yeats" (1954), Rupert Hart-Davis
  20. Yeats, W. B., "Autobiographies" (1970), Macmillan
  21. Yeats, W. B., "Essays and Introductions" (1961), Macmillan
  22. Yeats, W. B., "Mythologies" (1962), Macmillan
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  24. Yeats, W. B., "A Critical Edition of Yeats' A Vision(1925). ed. George Mills Harper and Walter Kellt Hood" (1978), Macmillan

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