W. B. 예이츠와 T. S. 엘리엇 시 속의 풍경
The Landscapes in W. B. Yeats and T. S. Eliot's Poetry
0
조회
0
다운로드
2
인용
0
참고문헌
키워드
초록
This paper investigates the images of landscapes in the poetry of W. B. Yeats and T. S. Eliot, the two greatest poets of the last century. Facing landscapes of the present world and the ancient as well, using his imagination, Yeats maximizes the poetic quality in his poetry. Some of his favorite landscapes, for example, include Innisfree, an islet in Sligo, Thor Ballylee in Coole Park, Byzantium, which delineate clear-cut images of his poetic themes. Either Yeats lived in Sligo with his mother's parents in his childhood, stayed in Lady Gregory’s house in the Coole Park, and owned and lived in the tower, Thor Ballylee in summer; or he admired the old Byzantium that he idealizes in his supreme poems. They serve as optimum metaphors for his poetry, making his poetry simple but rich in its imagery. On the other hand, Eliot focuses on delineating the life of modern man in his poetry by using cities, including London, Boston, Paris, and St. Louis. The people of the cities are being described as faithless and purposeless with their mind void. His depiction of the city further represents the whole modern civilization. The big city is the backdrop of such infertile imagery of modern man.
Abstract
This paper investigates the images of landscapes in the poetry of W. B. Yeats and T. S. Eliot, the two greatest poets of the last century. Facing landscapes of the present world and the ancient as well, using his imagination, Yeats maximizes the poetic quality in his poetry. Some of his favorite landscapes, for example, include Innisfree, an islet in Sligo, Thor Ballylee in Coole Park, Byzantium, which delineate clear-cut images of his poetic themes. Either Yeats lived in Sligo with his mother's parents in his childhood, stayed in Lady Gregory’s house in the Coole Park, and owned and lived in the tower, Thor Ballylee in summer; or he admired the old Byzantium that he idealizes in his supreme poems. They serve as optimum metaphors for his poetry, making his poetry simple but rich in its imagery. On the other hand, Eliot focuses on delineating the life of modern man in his poetry by using cities, including London, Boston, Paris, and St. Louis. The people of the cities are being described as faithless and purposeless with their mind void. His depiction of the city further represents the whole modern civilization. The big city is the backdrop of such infertile imagery of modern man.
참고문헌 (18)
- 박영순, "예이츠와 동양", 동서비교문학저널, (13), pp.99~140 (2005)
- 양병현, "Yeats와 Eliot의 문학적 상상과 종교적 상징", 한국예이츠저널, 13, pp.75~99 (2000)
- 이명용, "Yeats와 Eliot 시에 나타난 죽음에 관한 연구", 한국예이츠저널, 10, pp.225~244 (1999)
- 이창배, "예이츠 시의 이해" (1987), 문학과 지성사
- 이창배, "T. S. 엘리엇 전집" (2001), 동국대학교 출판부
- Bornstein, George, "Transformations of Romanticism in Yeats, Eliot, and Stevens" (1976), Chicago UP
- Cowell, Raymond, "Critics on Yeats: Readings in Literary Criticism" (1971), George Allen &Unwin
- Day, Robert A., "The City Man in The Waste", PMLA 80, ~ (1965)
- Drew, Elizabeth, "T. S. Eliot: The Design of His Poetry" (1949), Charles Scribner’s Sons
- Eliot, T. S., "The Complete Poems and Plays of T. S. Eliot" (1969), Faber &Faber
- Gilbert, Sandra, "The Poetry Of William Butler Yeats" (1965), Monarch Press
- Hargrove, Nancy Duvall, "Landscape as Symbol in the Poetry of T. S. Eliot" (1978), Mississippi UP
- Parkinson, Thomas, "W. B. Yeats Self-Critic and the Later Poetry" (1971), California UP
- Smith, Grover. T. S., "Eliot‘s Poetry and Plays: A Study in Sources and Meaning" (1956), Chicago UP
- Unger, Leonard. T. S., "Eliot: Moments and Patterns" (1956), U of Minnesota
- Unterecker,John, "Yeats: A Collection of Critical Essays" (1963), Prentice- Hall
- Yeats, W. B., "The Collected Poems of W. B. Yeats" (1961), Macmillan
- Yeats, W. B., "A Vision" (1937), Collier Books