Yeats’s “Supernatural Songs”: The Anthropology of Religion
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This essay studies Yeats’s “Supernatural Songs” to understand it better. It discusses Yeats’s view of Christian doctrine, use of language, the progression of the sequence in the poem. The poem’s peculiar engagement with the supernatural is highly problematic, and it seems not primarily about the supernatural. I agree with Vendler that the poem “Supernatural Songs” embodies a modernist aesthetic of the grotesque and the primitive.
Abstract
This essay studies Yeats’s “Supernatural Songs” to understand it better. It discusses Yeats’s view of Christian doctrine, use of language, the progression of the sequence in the poem. The poem’s peculiar engagement with the supernatural is highly problematic, and it seems not primarily about the supernatural. I agree with Vendler that the poem “Supernatural Songs” embodies a modernist aesthetic of the grotesque and the primitive.
참고문헌 (12)
- Adams, Hazard, "Blake and Yeats : The Contrary Vision" (1955), Russell and Russell
- Adams, Hazard, "The Book of Yeats’s Poems" (1990), Florida State UP
- Blake, William, "The Complete Poetry and Prose of William Blake, In David V.Erdman with commentary" (1988), U of California P
- Bloom, Harold, "Yeats" (1970), Oxford UP
- Boulger, James D., "Moral and Structural Aspects in W. B. Yeats’s Supernatural Songs", Renascence, 27, pp.59~70 (1975)
- Ellmann, Richard, "The Identity of Yeats" (1964), Oxford UP
- Feuerbach, Ludwig, "The Essence of Christianity" (1957), Harper
- Moore, Richard, "The Balancer : Yeats and his Supernatural System", Yale Review, 72(1983), pp.385~398 (1983)
- Vendler, Helen, "New Wine in Old Bottles : Yeats’s Supernatural Songs", Southern Review, 27(1991), pp.399~416 (1991)
- Vendler, Helen, "Our Secret Discipline : Yeats and Lyric Form" (2007), Harvard UP
- Whitaker, Thomas R., "Swan and Shadow : Yeats’s Dialogue with History" (1964), U of North Carolina P
- Yeats, William Butler, "The Poems" (1997), Scribner