Heaney as Craftsman: Focusing on Death Poems
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Heaney declared in his first poem “Digging” that “Between my finger and my thumb/ The squat pen rests./ I’ll dig with it.” Rereading his poems, I could conclude that he stands by his promise, continuously making every effort to labor and create new-styled poems, although the scope of this paper is limited to the poems in Field Work, The Haw Lantern, and Seeing Things. My research shows that Heaney experiments with various forms. Heaney seems to have perfected his poetry, much as his father did his spade.
Abstract
Heaney declared in his first poem “Digging” that “Between my finger and my thumb/ The squat pen rests./ I’ll dig with it.” Rereading his poems, I could conclude that he stands by his promise, continuously making every effort to labor and create new-styled poems, although the scope of this paper is limited to the poems in Field Work, The Haw Lantern, and Seeing Things. My research shows that Heaney experiments with various forms. Heaney seems to have perfected his poetry, much as his father did his spade.
참고문헌 (9)
- Heaney, Seamus, "Field Work" (1979), LondonFaber and Faber
- Heaney, Seamus, "The Haw Lantern" (1987), LondonFaber and Faber
- Heaney, Seamus, "Seeing Things" (1991), LondonFaber and Faber
- 홍성숙, "Modernism and Post-Modernism Aesthetics in Seeing Things", 한국 예이츠 저널, 29(2008), pp.209~224 (2008), 한국예이츠학회
- 홍성숙, "Digging Memory of the Dead in Field Work, The Haw Lantern & Seeing Things", 한국 예이츠 저널, (31), pp.251~268 (2009), 한국예이츠학회
- Ramazani, Jahan, "Poetry of Mourning: The Modern Elegy from Hardy to Heaney" (1994), U of Chicago P
- Randal, James, "An Interview with Seamus Heaney", Ploughshares, 5(3), pp.16~ (1979)
- Sacks, Peter, "The English Elegy: Studies in the Genre from Spenser to Yeats" (1987), Johns Hopkins UP
- "Elegy/sonnet/pastiche"[URL]
