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구전(口傳)으로서의 서술구조:허스톤의 '그들의 눈은 신을 응시하고 있었다'

Narrative Structure as Oral Tradition:Hurston’s Their Eyes Were Watching God

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참고문헌 (32)

  1. Hannah, "What Is Authority? Between Past and Future Eight Essay in Political Thought" (1968)
  2. Blackburn, "In Search of the Black Female Self Essays in Criticism", pp.133~48 (1980)
  3. Brigham,Cathy, ""‘The Talking Frame of Zora Neale Hurston’s Talking Book:Storytelling as Dialectic in Their Eyes Were Watching God", (4), pp.402~19
  4. Curren, Eric D, ""Should Their Eyes Have Been Watching God?: Hurston’s Use of Religious Experience and Gothic Horror"", 29(1), pp.17~25 (1995)
  5. Dalgarno, "Words Walking without Master Ethnography and the Creative Process in Their Eyes Were Watching God", pp.519~39
  6. Fauset, Jessie Redmon, ""Zora Neale Hurston's Traviling Blues"" (1995), Indiana UP
  7. Gates, "A Theory of Afro-American Literary Criticism" (1988)
  8. Zora Neale Hurston, "U of Georgia P", pp.142~90 (1990)
  9. Haddox, Thomas F, "The Logic of Expenditure in Their Eyes Were Watching God"", 34(1), pp.19~34
  10. Haute, Terre, "The Porch Couldn't Talk for Looking": Voice and Vision in Their Eyes Were Watching God"", 35(4), pp.599~613 (2001)
  11. Hubbard, "Ah said Ah'd Save de Text for You’ Recontextualizing the Sermon to Tell story in Zora Neale Hurston's Their Eyes Were Watching God", pp.167~78 (1993)
  12. Hurston,Zora Neale, "Mules and Men" (1990), Harper
  13. "U of Illinois P" (1978)
  14. Jones, Sharon L, ""Reclaiming A legacy: The Dialectic of Race, Class, and Gender in Jessie Fauset, Zora Neale Hurston, and Dorothy West"", 24(1), pp.155~163 (1998)
  15. Johnson, Maria V, """The World in a Jug and the Stopper in (Her) Hand": Their Eyes Were Watching God as Blues Performance"", 32(3), pp.401~414 (1998)
  16. Kalb,John D, "The Anthropological Narrator of Hurston's Their Eyes Were Watching God", 16(2), pp.169~78
  17. King,Sigrid, "Naming and Power in Zora Neale Hurston's Their Eyes Were Watching God", 24(4), pp.683~97
  18. Missy Dehn, "The Female Quest in Their Eyes Were Watching God", pp.109~15
  19. McGowan, Todd, "Liberation and Domination: Their Eyes Were Watching God and the Evolution of Capitalism", 24(1), pp.109~128 (1999)
  20. Meisenhelder, Susan, ""Ethnic and Gender Identity in Zora Neale Hurston’s Their Eyes Were Watching God"", pp.105~114 (1996), U of New Mexico P
  21. Messent,Peter B, ".New Readings of the American Novel:Narrative Theory and its Application" (1990), Macmillan Education Ltd
  22. Ong, "The Technologizing of the Word" (1982)
  23. Peters, "Ah Got The Law in My Mouth Black Women and Assertive Voice in Hurston's Fiction and Folklore", pp.293~301
  24. Pondrom,Cyrena N, "The Role of Myth in Hurston's Their Eyes Were Watching God", 58(2), pp.181~201
  25. Racine,Maria J, "Voice and Interiority in Zora Neale Hurston’s Their Eyes Were Watching God", 28(2), pp.283~92
  26. Simmons,Ryan, "‘The Hierarchy Itself’: Hurston's Their Eyes Were Watching God and the Sacrifice of Narrative Authority"", 36(2), pp.181~193 (2002)
  27. Robert B, "From Behind the Veil A Study of Afro-American Narrative Urbana U of Illinois P" (1991)
  28. Thompson,Gorden E, ""Projecting Gender:Personification in the Works of Zora Neale Hurston", 66(4), pp.737~57
  29. Vickers,Anita M, "The Reaffirmation of African-American Dignity Through the Oral Tradition in Zora Neale Hurston’s Their Eyes Were Watching God", (3), pp.303~15
  30. "Women of the Harlem Renaissance." (1995), Indiana UP
  31. Wolff,Maria Tai, ""Listening and Living:Reading and Experience in ‘Their Eyes Were Watching God’", 16(1), pp.29~33
  32. Walker, "U of Illinois P" (1977)

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