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A Paranarrative in the Poststructuralist Zone: Thomas Pynchon's Mason & Dixon as a Literary History

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Abstract

The history of literary theory has been a presentation of the dichotomy of "literature versus theory," and that history, I believe, should be discontinued. A text should be able to resist any type of generic classifications and allow active and spontaneous interactions between seemingly different intellectual fields. This means that a text, irrespective of its traditional label as a theoretical book or a literary text, is subject to various intellectual interpretations that produce their own generic distinctions. Paranarrative is a text that resists any type of generic classifications and allows active and spontaneous interactions between seemingly different intellectual fields. We should now start seeing the connections in such a way that a novel (Mason & Dixon, for example) suddenly becomes a literary history (of the Enlightenment) or a theoretical book (about magic realism).

참고문헌 (17)

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  12. McHale,Brian, "Postmodernist Fiction" (1994), Routledge
  13. Norris,Christopher, "Uncritical Theory" (1922), U of Massachusetts P
  14. Pynchon, Thomas, "Mason & Dixon" (1997), Henry Holt
  15. Rodriguez, "The Contemporary Praxis of the Fantastic" (1991)
  16. Spivak,Gayatri C, ".In Other Words:Essays in Cultural Politics" (1988), Routledge
  17. Tompkins, Jane P, ""The Reader in History: The Changing Shape of Literary Response"", pp.201~232

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