The Role of Songs in Yeats’s The Resurrection
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In The Resurrection (1932), Yeats uses a unique way of telling the story of Jesus Christ. The play uses a parallel structure in which religious groups of pagans and the Christians are placed side by side to show their ideas of the nature of religion and history for the audience. The songs included in Yeats’s play have a crucial purpose to connect the two different stories of the religious parties. Using Japanese Noh theatre elements, Yeats employs singing more than dancing in The Resurrection; The songs in the beginning, middle, and end are typical of his Noh influenced drama, but they are not simply to open and close the play with music. The songs are important devices to reveal the implications of the play’s major action.
Abstract
In The Resurrection (1932), Yeats uses a unique way of telling the story of Jesus Christ. The play uses a parallel structure in which religious groups of pagans and the Christians are placed side by side to show their ideas of the nature of religion and history for the audience. The songs included in Yeats’s play have a crucial purpose to connect the two different stories of the religious parties. Using Japanese Noh theatre elements, Yeats employs singing more than dancing in The Resurrection; The songs in the beginning, middle, and end are typical of his Noh influenced drama, but they are not simply to open and close the play with music. The songs are important devices to reveal the implications of the play’s major action.
참고문헌 (13)
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