Yeats’s Dreaming Self-Fish in The Shadowy Waters
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How is Yeats’s ownership of the transient moments dreaming in his poetic drama, The Shadowy Waters? This essay is to look into his yohoba transitional part of dreaming entry and exit: how successfully or skillfully Yeats displays the tricky in-coherent mystic quality, based on the concept of ownership, agent, and location; whether his poetic creativity for the neutral properties of hallucinogenic dreaming is flexible and natural; finally, are we satisfied with the denouement and the climax of the chain of events on the inebriated ship?
Abstract
How is Yeats’s ownership of the transient moments dreaming in his poetic drama, The Shadowy Waters? This essay is to look into his yohoba transitional part of dreaming entry and exit: how successfully or skillfully Yeats displays the tricky in-coherent mystic quality, based on the concept of ownership, agent, and location; whether his poetic creativity for the neutral properties of hallucinogenic dreaming is flexible and natural; finally, are we satisfied with the denouement and the climax of the chain of events on the inebriated ship?
참고문헌 (8)
- Stroud, Barry, "The Significance of Philosophical Skepticism" (1984), Oxford UP
- Jeffares, A. Norman, "New Commentary on the Poems of W. B. Yeats" (1984), Macmillan Press
- Lindop, Grevel, "Charles Williams; The Third Inkling" (2015), Oxford UP
- Metzinger, Thomas, "The Ego Tunnel: The Science of the Mind and the Myth of the Self" (2009), Basic Books
- Metzinger T., "The New Science of Dreaming" (2007), CTL Praeger
- Yeats, W. B., "The Collected Poetry" (1955), McMillan
- Zaleski, Philip, "The Fellowship: The Literary Lives of the Inklings" (2015), Farrar Straus & Giroux, NY