Colonial Masculinity in W. B. Yeats’s Poetry
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Yeats has remained a paradox for audience till the present primarily because of the rational critical approaches made to categorize him in the domain of literature and philosophy. The enigma that has so far encircled Yeats has resulted from the incredible variations, in which a creative genius like him could evolve in his literary domain. Effeminacy in his creativity is interesting as it opposes the “Irishness” that exudes a masculine content. Keeping in mind the idea of “colonial masculinity” which is evident in the literature of the colonized or subjugated states as well as its complex yet irreconcilable relation with the masculine nationalist zeal, the article tries to find the ‘feminine/masculine’ voice of Yeats and his dispositions in the field of literature.
Abstract
Yeats has remained a paradox for audience till the present primarily because of the rational critical approaches made to categorize him in the domain of literature and philosophy. The enigma that has so far encircled Yeats has resulted from the incredible variations, in which a creative genius like him could evolve in his literary domain. Effeminacy in his creativity is interesting as it opposes the “Irishness” that exudes a masculine content. Keeping in mind the idea of “colonial masculinity” which is evident in the literature of the colonized or subjugated states as well as its complex yet irreconcilable relation with the masculine nationalist zeal, the article tries to find the ‘feminine/masculine’ voice of Yeats and his dispositions in the field of literature.
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