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『인간의 오점』에 나타난 패싱의 재현

The Representation of Passing in Philip Roth’s The Human Stain

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Philip Roth’s The Human Stain represents a black racial being named Coleman Silk who attempts to pass for a white in the 1940s and had successfully led his life for 40 years. What is notable for his passing narrative is that he passes not for a WASP but a Jew. This complicates his subject position, which can open a possibility for a new third subject position. But he internalizes the white male patriarchal ideology and firmly believe in American individualism. For racial passing, the dominant whites tend to see it as a deception and a kind of threat to white powers, while African Americans show more complicate and ambiguous response to it. On one hand African Americans regard passing as a betrayal to one’s ethnicity, on the other hand they think it can be a subversive strategy to white powers, questioning the racial category of ‘whiteness’ and ‘blackness.’ In this novel, Coleman’s passing is positively represented by the narrator Nathan Zuckerman, a Jewish writer and Coleman’s sister Ernestine. Ernestine tells Coleman’s passing was meaningful in its own way although Coleman’s other family members criticise it as a betrayal and an egocentric pursuit. Ernestine’s positive perspective to Coleman’s passing is closely related with her point of view which is distanced from the ‘politically correct’ position in the 1990s which focuses on minority subject position. She advocates the Western humanistic tradition like her brother. Zuckerman shares Ernestine’s perspective and he also admires Colemnan’s passing life. Although he mentions Coleman’s passing includes the savage sin to his mother and his ethnic community, he shows more sympathetic view for him as a passer. He is trying to construct Coleman’s story as an American story of self-creation. He even compares Coleman’s passing to an artistic activity to invent oneself. This kind of Zuckerman’s perspective has a danger to weaken the meaning of race in an American society. Considering that a contemporary American society is not fully free from racism, the exploration of the complex meaning of race is still significant. This novel does not fully represent the meaning of race.

Abstract

Philip Roth’s The Human Stain represents a black racial being named Coleman Silk who attempts to pass for a white in the 1940s and had successfully led his life for 40 years. What is notable for his passing narrative is that he passes not for a WASP but a Jew. This complicates his subject position, which can open a possibility for a new third subject position. But he internalizes the white male patriarchal ideology and firmly believe in American individualism. For racial passing, the dominant whites tend to see it as a deception and a kind of threat to white powers, while African Americans show more complicate and ambiguous response to it. On one hand African Americans regard passing as a betrayal to one’s ethnicity, on the other hand they think it can be a subversive strategy to white powers, questioning the racial category of ‘whiteness’ and ‘blackness.’ In this novel, Coleman’s passing is positively represented by the narrator Nathan Zuckerman, a Jewish writer and Coleman’s sister Ernestine. Ernestine tells Coleman’s passing was meaningful in its own way although Coleman’s other family members criticise it as a betrayal and an egocentric pursuit. Ernestine’s positive perspective to Coleman’s passing is closely related with her point of view which is distanced from the ‘politically correct’ position in the 1990s which focuses on minority subject position. She advocates the Western humanistic tradition like her brother. Zuckerman shares Ernestine’s perspective and he also admires Colemnan’s passing life. Although he mentions Coleman’s passing includes the savage sin to his mother and his ethnic community, he shows more sympathetic view for him as a passer. He is trying to construct Coleman’s story as an American story of self-creation. He even compares Coleman’s passing to an artistic activity to invent oneself. This kind of Zuckerman’s perspective has a danger to weaken the meaning of race in an American society. Considering that a contemporary American society is not fully free from racism, the exploration of the complex meaning of race is still significant. This novel does not fully represent the meaning of race.

참고문헌 (14)

  1. 이종일, "‘정치적 올바름’ 논쟁의 사회사적 고찰", 사회과교육연구, 22(2), pp.43~58 (2015), 한국사회교과교육학회
  2. Dawkins, Maricia Alesan, "Clearly Invisible: Racial Passing and the Color of Cultural Identity" (2012), Baylor UP
  3. Dragulescu, Luminita M., "Race Trauma at the End of Millennium: (Narrative) Passing in Philip Roth's The Human Stain", Philip Roth Studies, pp.91~108 (2014)
  4. Elam, Michele, "Passing in the Post-Race Era: Danzy Senna, Philip Roth, and Colson Whitehead", African American Review, 41(4), pp.749~768 (2007), Post-Soul Aesthetic
  5. Ginsberg, Elaine K., "Passing and the Fiction of Identity" (1996), Duke UP
  6. Harrison, Kelby, "Sexual Deceit: the Ethics of Passing" (2013), Lexington Books
  7. Mosse, George, "The Image of Man" (1998), Oxford UP
  8. Parrish, Tim, "Philip Roth: New Perspective on an American Author" (2005), Praeger Publishers
  9. Roth, Philip, "The Human Stain" (2000), Vintage Books
  10. Royal, Derek Parker, "Plotting the Frames of Subjectivity: Identity, Death, and Narrative in Philip Roth’s The Human Stain", Contemporary Literature, 47(1), pp.114~140 (2006)
  11. Royal, Derek Parker, "Introduction: Philip Roth’s America", Philip Roth’s America: The Later Novels, 23, pp.ix~xii (2004)
  12. Safer, Elaine B., "Tragedy and Farce in Roth’s The Human Stain", Critique, 43(3), pp.211~227 (2002)
  13. Shechner, Mark, "The Cambridge Companion to Philip Roth", pp.142~157 (2007), Cambridge UP
  14. 신혜원, "The Politics of Immolation in Philip Roth’s Academic Novel: The Human Stain", 미국학 논집, 47(2), pp.175~198 (2015), 한국아메리카학회

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