On Making the Unconscious Conscious in Art Therapy -Toward a semantic theory of the unconscious-
0
조회
0
다운로드
3
인용
0
참고문헌
키워드
초록
In the following a few pages, I shall first briefly estimate the value of the unconscious as an essential theoretic ingredient in and for art therapy(Section II) after a brief introduction(Section I); renounce the ontological, if not functional, status of the unconscious having no empirically verifiable contents in terms of the current scientific findings and opinions on the unconscious(Section III); then propose and develop an alternative reading of the unconscious by virtue of new interpretations or standpoints about the unconscious especially from cognitive sciences that might help art therapists get a clearer understanding of the unconscious in their art therapy practice(Section IV), followed by the conclusion(Section V) that there is a possibility of making the unconscious conscious through semantic ascent. This paper aims neither an added knowledge to art therapy itself nor a report of art therapeutic practice, but assistance for art therapists to gain an insight in reading and inspecting the client for an art therapy.
Abstract
In the following a few pages, I shall first briefly estimate the value of the unconscious as an essential theoretic ingredient in and for art therapy(Section II) after a brief introduction(Section I); renounce the ontological, if not functional, status of the unconscious having no empirically verifiable contents in terms of the current scientific findings and opinions on the unconscious(Section III); then propose and develop an alternative reading of the unconscious by virtue of new interpretations or standpoints about the unconscious especially from cognitive sciences that might help art therapists get a clearer understanding of the unconscious in their art therapy practice(Section IV), followed by the conclusion(Section V) that there is a possibility of making the unconscious conscious through semantic ascent. This paper aims neither an added knowledge to art therapy itself nor a report of art therapeutic practice, but assistance for art therapists to gain an insight in reading and inspecting the client for an art therapy.
참고문헌 (16)
- Brentano,Franz, "Psychology from an Empirical Standpoint" (1995), Routledge Publisher
- Breur, J, "Studies on Hysteria" (2000), Basic Books Classics
- Chomsky,N, "Aspects of the Theory of Syntax" (1965), Mass: MIT Press
- Churchland, P, "Neurophilosophy: Toward a Unified Science of the Mind-Brain" (1986), Cambridge: MIT Press
- Davidson,D, "Essays on Actions & Events" (1980), Oxford U. Press
- Fodor J, "Representations: Philosophical Essays on the Foundations of Cognitive Science" (1983), New York: Bradford Books
- Hartman,Eduard Von, "Philosophy of the Unconscious" (2007), Kessinger Publisher
- Kramer,E, "Art Therapy in a Children's Community" (1958), Charles C Thomas
- Krame,E, "Art as Therapy" (2000), London: Jessica Kingsley
- Naumberg,M, "The Clinical Application of Projective Drawings" (1958), Charles Thomas
- Popper,K, "Conjectures & Refutations: The Growth of Science" (1963), Routledge & Kegan
- Quine,W, "Word & Object" (1960), MIT Press
- Kra me, "Ontological Relativity" (1969), Columbia U. Press
- Rubin,J, "Approaches to Art Therapy: Theory and Technique" (1987), New York: Brunner
- Schacter,D, "Searching for Memory―the brain, the mind, and the past" (1996), Basic Books
- Searle, J, "The Rediscovery of the Mind (Representation and Mind)" (1994), MIT Press