자기치유적 관점에서 본 월전 장우성의 문인화 작품연구

Abstract

In this study, a total of 17 pieces of Chang, Woo Sung’s literary works were selected to see how heexpressed his a pro-Japanese painter complex through poetry, writings, paintings, and how he overcame it. These works were divided into early period-literary period, middle period-literary period and lateperiod-literary period. Key words, core feelings, and content analysis were analyzed by analyzing poetry. Inaddition to analyzing the contents, I examined the material and form of literary paintings. The integratedthemes of the early works were “eternity,” “impermanence,” 'integrity,” and “justice”. It was an attempt toequate the writer with the literary person by entrusting his mind to the material appearing in the work. The integrated themes of the middle of the works were “empathy,” 'incision,” 'jizo,” and “satire.” Therewere figurative expressions about the value of the literary people in the eyes of the world such as humanduty or the three fundamental principles and five moral disciplines in human relations. The integratedthemes of the latter part of the work were “reality satire,” “reality criticism,” and “political criticism.” Hewrote a poetry that was more controversial than reality in the middle works. As I moved from the early tothe late period, I could see that the themes of the works were shifting from the artist himself to society.