白華 梁建植의 ≪琵琶記≫ 번역 연구
A Study of Yang Geon Sik’s Translation of The Lute
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The Korean translator Yang Geon Sik (1889-1944) employed two different translation strategies at different times in the process of translating The Lute, a classic Chinese play, into Korean. One is to substitute the tunes in the Chinese opera with tunes from Pansori so that the play would be conveniently performed on Korean stage; another is to turn the Chinese opera into a closet play to make it easier for Korean readers to receive. The strategies are employed to reach the goal of his translation project, which is to transform Chinese plays into important resources that could be utilized in the construction of modern Korean drama. His studies of Chinese drama and his translation of The Lute embody his views on how to create a modern national literature. His insistence on regarding translated literature as part of national literature demonstrates that he is one of the pioneers in East Asia with a cosmopolitan vision. He endeavored to introduce Chinese drama into Korea in an era when European literature was regarded as the model for East Asian writers to emulate, which indicates his egalitarian attitude towards literatures of all nations in the world. When the main trends in East Asia are to deprecate and abandon premodern Chinese literature, he made an effort to unearth the values of premodern popular Chinese literature and took up the challenging task of transforming traditional Chinese plays into vital resources for the creation of modern Korean drama.
Abstract
The Korean translator Yang Geon Sik (1889-1944) employed two different translation strategies at different times in the process of translating The Lute, a classic Chinese play, into Korean. One is to substitute the tunes in the Chinese opera with tunes from Pansori so that the play would be conveniently performed on Korean stage; another is to turn the Chinese opera into a closet play to make it easier for Korean readers to receive. The strategies are employed to reach the goal of his translation project, which is to transform Chinese plays into important resources that could be utilized in the construction of modern Korean drama. His studies of Chinese drama and his translation of The Lute embody his views on how to create a modern national literature. His insistence on regarding translated literature as part of national literature demonstrates that he is one of the pioneers in East Asia with a cosmopolitan vision. He endeavored to introduce Chinese drama into Korea in an era when European literature was regarded as the model for East Asian writers to emulate, which indicates his egalitarian attitude towards literatures of all nations in the world. When the main trends in East Asia are to deprecate and abandon premodern Chinese literature, he made an effort to unearth the values of premodern popular Chinese literature and took up the challenging task of transforming traditional Chinese plays into vital resources for the creation of modern Korean drama.
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