主題復現與情節圖式∶≪醒世姻緣傳≫的結構詩學
Recurrent Motifs and Plot Pattern: The Structural Poetics of The Bonds of Matrimony
1
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
This paper explores the characteristics of the structural poetics of The Bonds of Matrimony, a 17th-century Chinese novel of 100 chapters. By focusing its analysis on the subplot concerning Xue Sujie, the female protagonist, this paper aims to offer a description of its plot pattern and an interpretation of the principle of plot construction in this novel. An analysis of the semantic content of the events in the subplot shows that the semantic content consists of four recurrent motifs and each motif can be related to a certain event in the subplot. The recurrence of the motifs helps to organize the events into a plot pattern. Hence the principle of plot construction in this novel can be described as repetition and variation of motifs. An examination of the female protagonist’s escalating conflicts with her environment reveals that the arc shape created by the rise and fall of her fortune coincides with the arc of the subplot. Therefore the pattern of the subplot can be seen as created by the traces of the female protagonist’s action.
Abstract
This paper explores the characteristics of the structural poetics of The Bonds of Matrimony, a 17th-century Chinese novel of 100 chapters. By focusing its analysis on the subplot concerning Xue Sujie, the female protagonist, this paper aims to offer a description of its plot pattern and an interpretation of the principle of plot construction in this novel. An analysis of the semantic content of the events in the subplot shows that the semantic content consists of four recurrent motifs and each motif can be related to a certain event in the subplot. The recurrence of the motifs helps to organize the events into a plot pattern. Hence the principle of plot construction in this novel can be described as repetition and variation of motifs. An examination of the female protagonist’s escalating conflicts with her environment reveals that the arc shape created by the rise and fall of her fortune coincides with the arc of the subplot. Therefore the pattern of the subplot can be seen as created by the traces of the female protagonist’s action.
참고문헌 (22)
- 袁世硕, "醒世姻缘传" (2015), 人民文学出版社
- 段江丽, "醒世姻缘传 研究" (2003), 嶽麓书社
- 傅禮軍, "状元弃妻：中国戱剧典範情節的敍事语义学" (2015), 齐鲁书社
- 浦安迪, "明代小说四大奇书" (2015), 生活⋅读书⋅新知三联书店
- 韦恩, "小说修辞学" (1987), 廣西人民出版社
- 徐復嶺, "＜醒世姻缘传＞作者和语言考论" (1993), 齐鲁书社
- 章培恒, "中国文学史" (1997), 復旦大学出版社
- 傅丽, "善恶之谈：≪醒世姻缘传≫的敍事框架", 学术交流, (128) (2004)
- 谷卉, "≪醒世姻缘传≫的结構艺术", 株洲师範高等专科学校学报, 7(4) (2002)
- 黄三平, "论≪醒世姻缘传≫的树形结構", 湖南工业大学学报(社会科学版), 17(2) (2012)
- 刘文革, "试论≪醒世姻缘传≫结構的独特性", 江西大学学报(社会科学版), (1) (1989)
- 刘昕, "论≪醒世姻缘≫的学术價值和意义", 太原大学教育学院学报, 29 (2011)
- 浦安迪, "北美中国古典文学研究名家十年文选" (1996), 江苏人民出版社
- 施文裴, "试论≪醒世姻缘传≫之原始文化因素及以“三復情節”模式为重要特征的深层结構机制", 社会科学论坛, (5) (2006)
- 唐燕飞, "论因缘思想在≪醒世姻缘传≫中的敍事意义", 贵州社会科学, 통권 : 305 (2015)
- 王立鹏, "从≪醒世姻缘传≫的思想内容和结構看其作者", 明清小说研究, (3) (1997)
- 吴存存, "≪醒世姻缘传≫的深层结構", 辽寧大学学报, (2) (1991)
- 夏薇, "≪醒世姻缘传≫研究" (2007), 中华书局
- 徐朔方, "论≪醒世姻缘传≫以及它與≪金瓶梅≫的关係", 社会科学战线, (2) (1986)
- 张丽, "试论≪醒世姻缘传≫因果报应敍事框架的功能", 牡丹江教育学院学报, (2) (2014)
- 周奎生, "试析≪醒世姻缘传≫情節结構中的雙坐标體系", 江苏工业学院学报, 4(2) (2003)
- Marie-Laure Ryan, "Possible Worlds, Artificial Intelligence, and Narrative Theory" (1991), Indiana University Press