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질병 모티프와 연계된 수치와 혐오의 情動 — 해방구 시기 딩링(丁玲) 소설을 중심으로

The Affect of Shame and Disgust Associated with Disease Motifs:Focusing on The Dingling’s Novel during The Liberation Period

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주제분류중국어와문학

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Zhenzhen and Luping are set as objects of disgust to members of the community for not knowing the shame. The disgusts of Zhenzhen and Luping is produced and distributed with malicious rumors, and gradually shifts to the daily logic of dominating the Liberated Areas regardless of whether it is true or not. Shame and disgust drive Zhenzhen and Luping, creating cracks in the daily lives of the community. Dingling speaks of the shame and disgust of the Liberated Areas society at that time through Zhenzhen and Luping, who do not harmonize with the community in When I was in the Fog Village and At the Hospital. On the surface, shame was the emotion required of those with sexually transmitted diseases and hysteria, but this figure was actually intimately linked to the character of the community. Unlike the sacrifices of Zhenzhen and Luping, the awareness that I look at myself who does not, or that my own ability and ethical consciousness are of no use to change the situation, can cause unspeakable shame, which can eventually divide the subject and object of the figure to an extreme. Finally the determination of Zhenzhen and Luping to “leave” is based on their bold pride against their disgust of themselves without shame. In addition, the practice of this is nothing less than the ‘possibility’ of opposing affect which mass-produces another Zhenzhen and Luping. Dingling rejected the fixed frame of the victim, whose object of shame and disgust was branded and excluded from the community.

Abstract

Zhenzhen and Luping are set as objects of disgust to members of the community for not knowing the shame. The disgusts of Zhenzhen and Luping is produced and distributed with malicious rumors, and gradually shifts to the daily logic of dominating the Liberated Areas regardless of whether it is true or not. Shame and disgust drive Zhenzhen and Luping, creating cracks in the daily lives of the community. Dingling speaks of the shame and disgust of the Liberated Areas society at that time through Zhenzhen and Luping, who do not harmonize with the community in When I was in the Fog Village and At the Hospital. On the surface, shame was the emotion required of those with sexually transmitted diseases and hysteria, but this figure was actually intimately linked to the character of the community. Unlike the sacrifices of Zhenzhen and Luping, the awareness that I look at myself who does not, or that my own ability and ethical consciousness are of no use to change the situation, can cause unspeakable shame, which can eventually divide the subject and object of the figure to an extreme. Finally the determination of Zhenzhen and Luping to “leave” is based on their bold pride against their disgust of themselves without shame. In addition, the practice of this is nothing less than the ‘possibility’ of opposing affect which mass-produces another Zhenzhen and Luping. Dingling rejected the fixed frame of the victim, whose object of shame and disgust was branded and excluded from the community.

참고문헌 (21)

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