歐陽修의 李白詩에 대한 평가 연구

Abstract

The Songliujia(宋六家), which led the movement of Guwen(古文) in Song(宋) dynasty, opposed the popular Xikunti(西崑體) and Siliuwen(四六文) in terms of poetry and writings at the time, and achieved a solid position in literary history. It can already be fully examined in literary history that the role of Ouyang Xiu(歐陽修) was significant in this process. Along with the movement to cultivate the sentences of the Han Yu(韓愈) of Ouyang Xiu(歐陽修) and write ancient writings, the Songliujia(宋六家) was at the forefront of political and literary reform. In the later years, both Han Yu(韓愈) and the Liu Zongyuan(柳宗元) along with the reform movement of Tangsongbadajia(唐宋八大家) have firmly established themselves as “two masters of prose”. Despite the fact that they were masters in poetry and prose, his poetry was evaluated relatively stingy. The reason, of course, is mainly due to the tendency of Song(宋) poetry and discourse compared to Tang(唐) poetry. In fact, in the field of poetry, there was a trend of following the poets Li Bai(李白) and Du Fu(杜甫) of the Tang Dynasty. This trend was leading by the Songliujia(宋六家). Especially Ouyang Xiu(歐陽修) was intersted in the poet Li Bai(李白). Considering the tendency of Ouyang Xiu(歐陽修)’s Confucianism and the strict attitude in creating old writings, it may be very questionable to praise Li Bai(李白), a generous and free poet with moral and romantic thoughts, not the other master Du Fu(杜甫) whose thought was Confucianism. Ouyang Xiu(歐陽修) is a person who led the Song(宋) Dynasty’s poetry innovation movement and contributed greatly to the development of poetry. He is a person who has developed a variety of prose styles within his sentence, including Zouyi(奏議), Beizhi(碑誌), Youji(遊記) and ritual writings. He wrote names using content and rhetoric appropriate to the characteristics of each detailed style. Therefore, his contribution and position within his sentences are very high in the history of ancient Chinese literature. In light of this, it is impossible to overlook the characteristics of major classification styles such as sentences, poems, and Ci(詞), just as Ouyang Xiu(歐陽修) achieved the development of content and form for each format within a sentence. It is believed that sentences appreciated the beauty of sentences, poetry appreciated the beauty of poetry, and Ci(詞) appreciated works that made the most of Ci(詞). Therefore, the artist who best utilized the beauty of poetry was evaluated as Li Bai(李白). Ouyang Xiu(歐陽修) evaluated the content and form of Li Bai(李白)’s poetry were the poems the most appreciated the beauty of poetry. This evaluation is consistent with his literary criticism and practice. Also Ouyang Xiu(歐陽修) envy Li Bai(李白)’s genius and freewheeling, carefree. He wrote poetry in pursuit of Li Bai(李白)’s style.