東岳 李安訥의 哀悼詩 硏究 ―石洲 權韠의 죽음과 관련하여―

Abstract

This writing considered Dongak Lee, Ahn-nul's monody about the death of Seokju, Kwon, Pil. Dongak, who had been a great friend with Seokju from childhood, left a lot of poems in relation with the death of Seokju, and his poems were once on everyone's lips separately as the heading of “Aejeonpilsi” out of the contents included in ≪Juahgyebudam≫―a kind of writings in the latter period of the Joseon Dynasty. Through the epic narrative recording of the process ranging from the time when Dongak heard of the news that Seokju was taken to the national interrogation of a suspect under torture to the time of hearing of Seokju's death,Dongak embodied Seokju's misfortune in a poem sighing for a grief, and gave vent to his feelings about afterimage and yearning for his bosom buddy for a long time. Since then, Seokju's death left a certain afterimage to Dongak's world of poetry while impacting on Dongak for a long period of time. Ultimately, it's worthwhile to take note of bringing changes to his world of consciousness of writing poetry;the arrangement of poetic words and a gush of emotion in everyday life, and unexpected or freewheeling form of creative poetry, etc. Dongak's monody for Seokju strongly expressed his recollection of the by-gone days when he held a poetic meeting and firmed up a comradely solidarity with its members. In addition, the monody implied his grief over his colleagues who lost their lives while going through political ups and downs of the day. And this research result shows that Dongak, Lee, Ahn-nul, who tried to take a leaf out of the poetic style of Yongje, Lee, Haeng with great admiration for the poet Dubo, tried to follow his great grandfather's poetic style in many portions even in writing a monody. Dongak compared the poetic relationship between himself and Seokju to the relationship between Yongjae Lee, Haeng and Eupchiheon Park, Eun, and the relationship between Dubo and Lee, Baek in China. In the monodies by Dongak, Dongak expressed the vanity and frustration of life arising from the sense of loss, and image of downfall in relation to the death of Seokju. However, it's hard to find the philosophical state in pursuit of the reason of win-win by filtering the life and death through the scenery of the season. Rather, there is a suggestion of “the consciousness of trying not to yield or resign to reality” paradoxically lampooning the political situation and behavior of the day.