밀양 읍성경관 제영과 십이경의 전개-월연대십이경과 금시당십이경을 중심으로-

Abstract

From the Han River in Seoul, the twelve scenery seem to have blossomed not in Seoul but in the Eungcheon River in Miryang, through Woryeon Lee Tae’s the Woryeondae and Geumsidang Lee Kwang Jin’s Geumsidang the twelve scenery. In particular, Geumsidang was placed in the narrow space between Yeongnamnu and Wolyeonjeong in the two most scenic spots of the Eungcheon River. Through Lee Gwang-jin's high-profile view of Geumsi-dang, which opened up another independent view from Yeongnamnu and Wolyeonjeong, Yeo Ju-yi, who founded Miryang, thinks again about the sophisticate. during the early Joseon Dynasty in the Eungcheon River in Miryang twelve scenery gives birth to Lee Tae’s the Woryeondae and Lee Kwang Jin’s Geumsidang the twelve scenery. during the lately Joseon Dynasty, It spread throughout Miryang, giving birth to Nakgang Sibyeong (Namjeong Sipgyeong) in the Nakdonggang River in Miryang. It can be said that they bloomed splendidly. It can be said that Joseon's best pavilion culture blossomed in the Eungcheon River and Nakdong River in Miryang, a thousand miles away from Seoul, not the Han River in Seoul. Under the Yeo Joo-yi of Miryang, the founder of the Joseon Dynasty, once again depicts the old image of Miryang, which would have reached the highest cultural level of Hanyang City Wall.