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The Revolt of Bare Lives and the Return to Normality in Heroes Season One: Genesis (2006-07)

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Heroes exemplifies a revolt of homo sacer, a topological counterpart of the sovereign in Giorgio Agamben’s works on the state of exception and sovereignty. Through its rendering of the main characters’ struggles against the Company's conspiracy, this show portrays a political subject that attempts to constitute itself outside biopolitical sovereign power. Considering this political subject as an example of Michael Hardt and Antonio Negri's multitude, this paper argues that the main characters become a heroic collective: a group of people who can be heroic only as a group without an authoritarian leader. This paper's reading of the show also reveals that the heroic collective is compromised by the critical challenges that Hardt and Negri’s multitude often faces, as the struggles of the heroic collective degenerate into a conventional heroic myth: the community’s redemption through heroic sacrifice. While explicating the collective struggles of the heroic collective, this paper concludes that the heroic collective’s limitation in envisioning a new world underscores Hardt and Negri's fail to see past sovereign politics when they imagine another world.

Abstract

Heroes exemplifies a revolt of homo sacer, a topological counterpart of the sovereign in Giorgio Agamben’s works on the state of exception and sovereignty. Through its rendering of the main characters’ struggles against the Company's conspiracy, this show portrays a political subject that attempts to constitute itself outside biopolitical sovereign power. Considering this political subject as an example of Michael Hardt and Antonio Negri's multitude, this paper argues that the main characters become a heroic collective: a group of people who can be heroic only as a group without an authoritarian leader. This paper's reading of the show also reveals that the heroic collective is compromised by the critical challenges that Hardt and Negri’s multitude often faces, as the struggles of the heroic collective degenerate into a conventional heroic myth: the community’s redemption through heroic sacrifice. While explicating the collective struggles of the heroic collective, this paper concludes that the heroic collective’s limitation in envisioning a new world underscores Hardt and Negri's fail to see past sovereign politics when they imagine another world.

참고문헌 (19)

  1. Agamben, Giorgio, "Daniel Heller-Roazen" (1998), Stanford UP
  2. "President Declares ‘Freedom at War with Fear.’" (2001)[URL]
  3. Eagleton,Terry, "Holy Terror" (2005), Oxford UP
  4. Eagleton,Terry, "Sweet Violence" (2003), Blackwell
  5. NBC, "The Hard Part", ~ (2007)
  6. NBC, "Homecoming", ~ (2006)
  7. NBC, "How to Stop an Exploding Man", ~ (2007)
  8. NBC, "Landslide", ~ (2007)
  9. Lawrence, John Shelton, "The Myth of the American Superhero" (2002), William B. Eerdmans Publishing Company
  10. Neilson, Brett, "Potenza Nuda? Sovereignty, Biopolitics, Capitalism", Contretemps, 5, pp.63~78 (2004)
  11. Negri, Antonio, "It’s a Powerful Life: A Conversation on Contemporary Philosophy", Cultural Critique, 57, pp.151~183 (2004)
  12. Negri, Antonio, "Multitude" (2004), Penguin
  13. Negri, Antonio, "What is the Multitude", Cultural Studies, 19, pp.372~387 (2005)
  14. Negri, Antonio, "Empire" (2000), Harvard UP
  15. Negri, Antonio, "The Political Monster: Power and Naked Life, In Praise of the Common. Cesare Casarino and Antonio Negri", pp.193~218 (2008), U of Minnesota P
  16. NBC, "Nothing to Hide", ~ (2006)
  17. NBC, "Parasite", ~ (2007)
  18. NBC, "Seven Minutes to Midnight", ~ (2006)
  19. NBC, "Unexpected", ~ (2007)

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