존 스타인벡과 조셉 애디슨 - 문체와 어조의 연관성
John Steinbeck and Joseph Addison: The Correlation in Tone and Style of Writings
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This paper aims to study the literary relation between American writer, John Steinbeck’s late two works, Travels with Charley in Search of America and America and Americans and works of Joseph Addison, a British writer in eighteenth century, in The Spectator. Steinbeck’s Travels with Charley is a travelogue to search for his country on a personal level and America and Americans is a collection of John Steinbeck's journalism, including the title piece. Steinbeck observed and commented on what he saw around him in America in these books. Perhaps his observation is likely to be influenced by Joseph Addison’s style. Joseph Addison is an English essayist, poet, and dramatist who was a leading contributor to and guiding spirit of the periodicals The Spectator. Steinbeck himself said that “Only through imitation do we develop toward originality.” Steinbeck’s access method appears in his style and wit, a national identity and nature and human nature through The Spectator. Therefore, these sensibilities Steinbeck shares along with Addison mark and echo of his style and wit. Through this method, Steinbeck tried to recover his own originality, acknowledging that he must find his literary basis in imitation.
Abstract
This paper aims to study the literary relation between American writer, John Steinbeck’s late two works, Travels with Charley in Search of America and America and Americans and works of Joseph Addison, a British writer in eighteenth century, in The Spectator. Steinbeck’s Travels with Charley is a travelogue to search for his country on a personal level and America and Americans is a collection of John Steinbeck's journalism, including the title piece. Steinbeck observed and commented on what he saw around him in America in these books. Perhaps his observation is likely to be influenced by Joseph Addison’s style. Joseph Addison is an English essayist, poet, and dramatist who was a leading contributor to and guiding spirit of the periodicals The Spectator. Steinbeck himself said that “Only through imitation do we develop toward originality.” Steinbeck’s access method appears in his style and wit, a national identity and nature and human nature through The Spectator. Therefore, these sensibilities Steinbeck shares along with Addison mark and echo of his style and wit. Through this method, Steinbeck tried to recover his own originality, acknowledging that he must find his literary basis in imitation.
참고문헌 (13)
- "The Spectator, Volumes 1, 2 and 3"[URL]
- Benson, Jackson J, "The True Adventures of John Steinbeck, Writer" (1984), Viking
- Bloom, Harold, "Modern Critical Interpretations : John Steinbeck’s The Grapes of Wrath" (1988), Chelsea
- DeMaria, Jr., "British Literature 1640-1789 : An Anthology" (1966), Blackwell
- Fish, Stanley, "Critical Terms for Literary Study" (1955), U of Chicago P
- Hayashi, Tetsumaro, "A Study Guide to Steinbeck’s Major Works, With Critical Explications" (1993), Scarecrow
- Knight, Charles A., "The Spectator’s Moral Economy", Modern Philology, 91(2), pp.161~179 (1993)
- Simmonds, Roy S., "Travels with Charley", Hayashi, 211~239
- Schultz, Jeffrey, "Critical Companion to John Steinbeck : A Literary Reference to His Life and Work" (2005), Checkmark
- Steinbeck, John, "Steinbeck: A Life in Letters", pp.677~ (1975), Viking
- Steinbeck, John, "America and Americans" (2003), Penguin
- Steinbeck, John, "Travels with Charley in Search of America" (1986), Penguin
- Youngren, William H, "Addison and the British of Eighteen-century Aesthetics", Modern Philology, 79(3), pp.267~283 (1982)