헨리 제임스의 『대사들』에 묘사된 지각적 경험의 특성
The Nature of Perceptual Experience in Henry James’s The Ambassadors
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Literary criticism for Henry James’s The Ambassadors tends to focus on its descriptive technique and narrative manner. Critics have analyzed how thoroughly James, in composing the novel, concentrated his attention on delineating the vision, perception, impression, and recognition of Lambert Strether, the protagonist of the novel. In short, they have tried to prove the fact that James showd an exquisite craftsmanship in practicing the technique of ‘showing.’ Engaging in such critical discussion on the writing style and structure of The Ambassadors, this paper aims to illuminate the nature and process of Lambert Strether’s perceptual experience of the cultural environment of Paris. Strether’s perceptual experience can be characterized by such psychological concepts as attention, the fusion and flow of consciousness, impressionistic pictorialism, attraction and confusion, and an ironical conversion of recognition.
Abstract
Literary criticism for Henry James’s The Ambassadors tends to focus on its descriptive technique and narrative manner. Critics have analyzed how thoroughly James, in composing the novel, concentrated his attention on delineating the vision, perception, impression, and recognition of Lambert Strether, the protagonist of the novel. In short, they have tried to prove the fact that James showd an exquisite craftsmanship in practicing the technique of ‘showing.’ Engaging in such critical discussion on the writing style and structure of The Ambassadors, this paper aims to illuminate the nature and process of Lambert Strether’s perceptual experience of the cultural environment of Paris. Strether’s perceptual experience can be characterized by such psychological concepts as attention, the fusion and flow of consciousness, impressionistic pictorialism, attraction and confusion, and an ironical conversion of recognition.
참고문헌 (12)
- Griffin, Susan M, "The Historical Eye: The Texture of the Visual in Late James" (1991), Northeastern UP
- Hutchison, Hazel, "James’s Spectacles: Distorted Vision in The Ambassadors", The Henry James Review, 26(1), pp.39~51 (2005)
- James, Henry, "Autobiography" (1941), Scribner's
- James, Henry, "The Ambassadors" (1994), Norton
- James, Henry, "The Art of the Novel" (1984), Murray
- James, William, "The Principles of Psychology. Vol. 1" (1918), Holt
- Miller, Hillis J, "A Companion to Narrative Theory" (2005), Blackwell
- Plato, "Apology: Plato in Twelve Volumes. Vol. 1" (1966), Harvard UP
- Plato, "Plato's The Republic" (1941), Modern Library
- Schneider, Daniel J, "The Crystal Cage: Adventures of the Imagination in the Fiction of Henry James" (1978), The Regents Press of Kansas
- Torgovnick, Marianna, "The Visual Arts, Pictorialism, and the Novel: James, Lawrence, and Woolf" (1985), Princeton UP
- Winner, Viola Hopkins, "Henry James and the Visual Arts" (1970), U of Virginia P