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James Thomson’s The Seasons and the Sublimity of Light

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This article discusses how James Thomson’s The Seasons reflects the idea of “the sublime,” in terms of its psychological effect of terror, engendered by the descriptions of nature with reference to the new concept of light. In The Seasons the sublime is portrayed in storms, earthquakes, terrifying wild beasts, and all the other awe-inspiring characteristics of the natural world. Because of either magnificence or horror, the presence of light invokes sublimity, while the privation, or absence of light, signifies terror. Thomson shows this idea through the “parching” sun and pain-giving light of the sun in the equatorial zone, describing how height and excess can create pain. Through the terror-evoking descriptions, Thomson, by presenting both the positive and negative aspects of nature, emphasizes the fact that the terrible aspects of nature help show the greatness of the Creator and the inscrutability of His ways. Thus, Thomson concludes The Seasons with a “Hymn,” in which he expresses the theme of the revelation of God which is emerges in the harmonious universe, and of the gory due to the Creator of such sublime nature.

Abstract

This article discusses how James Thomson’s The Seasons reflects the idea of “the sublime,” in terms of its psychological effect of terror, engendered by the descriptions of nature with reference to the new concept of light. In The Seasons the sublime is portrayed in storms, earthquakes, terrifying wild beasts, and all the other awe-inspiring characteristics of the natural world. Because of either magnificence or horror, the presence of light invokes sublimity, while the privation, or absence of light, signifies terror. Thomson shows this idea through the “parching” sun and pain-giving light of the sun in the equatorial zone, describing how height and excess can create pain. Through the terror-evoking descriptions, Thomson, by presenting both the positive and negative aspects of nature, emphasizes the fact that the terrible aspects of nature help show the greatness of the Creator and the inscrutability of His ways. Thus, Thomson concludes The Seasons with a “Hymn,” in which he expresses the theme of the revelation of God which is emerges in the harmonious universe, and of the gory due to the Creator of such sublime nature.

참고문헌 (19)

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  6. Cohen, Ralph, "The Unfolding of The Seasons" (1970), The Johns Hopkins UP
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  10. Jones, William Powell, "The Rhetoric of Science: A Study of Scientific Ideas and Imagery in Eighteenth-Century English Poetry" (1996), Routledge & Kegan Paul
  11. Manlove, C. N, "Literature and Reality" (1978), MacMillan
  12. Modiano, Raimonda, "Coleridge and the Concept of Nature" (1985), MacMillan
  13. Monk, Samuel, "The Sublime: A Study of Critical Theories in ⅩⅧ-Century England" (1960), The U of Michigan P
  14. Nicolson, Marjorie Hope, "Eighteenth Century English Literature", pp.193~208 (1959), Oxford UP
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  19. Thorpe, Peter, "Eighteenth Century English Poetry" (1975), Nelson-Hall

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