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디즈니 읽기: ꡔ뮬란ꡕ의 이데올로기

Reading Disney: Ideological Approach to Mulan

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Reading Disney: Ideological Approach to Mulan Kim, Il-Hwan(Jeonnam Provincial College) The aim of this study is to reveal hidden strategy in Mulan. The story of Mulan comes from the ancient China, but it is significantly Disneyfied in that Western ideology takes place of that of the Orient. Eventually the scope of Disney's world extended to the Chinese culture. In this appropriation, economic or ideological considerations are involved. Above all, Mulan has more advanced view on woman than any other works in Disney canon. From the feministic viewpoint, therefore, this work can be analyzed good work in which new woman is established. But it has great shortcomings. In this work, male-oriented and conservative social order doesn't allow woman to participate the fight. Heroine(or hero) Mulan decides to display her power in her disguise. And she became a hero(ine) after defeating the enemy. At last, she was depicted as another conservative-minded woman character.

Abstract

Reading Disney: Ideological Approach to Mulan Kim, Il-Hwan(Jeonnam Provincial College) The aim of this study is to reveal hidden strategy in Mulan. The story of Mulan comes from the ancient China, but it is significantly Disneyfied in that Western ideology takes place of that of the Orient. Eventually the scope of Disney's world extended to the Chinese culture. In this appropriation, economic or ideological considerations are involved. Above all, Mulan has more advanced view on woman than any other works in Disney canon. From the feministic viewpoint, therefore, this work can be analyzed good work in which new woman is established. But it has great shortcomings. In this work, male-oriented and conservative social order doesn't allow woman to participate the fight. Heroine(or hero) Mulan decides to display her power in her disguise. And she became a hero(ine) after defeating the enemy. At last, she was depicted as another conservative-minded woman character.

참고문헌 (18)

  1. 김명혜, "패스티시: 디즈니 장편 만화영화의 문화팽창 전략", 언론과 사회, (20), pp.117~150 (1998)
  2. 김용석, "미녀와 야수, 그리고 인간" (2000), 서울: 푸른숲
  3. 정형모, "전혀 디즈니답지 않은 디즈니의 화제작( 2002년 12월 7일자)", 중앙일보, ~ (2002)
  4. Eliot, Marc Walt, "Disney: Hollywood's Dark Prince=월트 디즈니: 할리우드의 디즈니 신화" (1993), 서울: 우리문학사
  5. Fjellman, Stephen M, "Vinyl Leaves: Walt Disney and America=디즈니와 놀이문화의 혁명" (1994), 서울: 일신사
  6. Giroux, Henry A, "The Mouse That Roared: Disney and the End of Innocence(디즈니: 순수함과 거짓말)" (2001), 서울: 아침이슬
  7. Fetscher, Iring, "누가 잠자는 숲 속의 공주를 깨웠는가" (1999), 서울: 철학과 현실사
  8. Kast, Verena, "동화 속의 남자와 여자" (1994), 서울: 철학과 현실사
  9. Merivale, Patricia, "The Telling of Lies and the Sea of Stories in Ariel" (1997), The University of Calgary
  10. "Micky Mouse Monopoly: Disney, Childhood, and Corporative Power" (2009)[URL]
  11. "Feminist theologian Patricia Lynn Reilly cheers for Disney's Mulan" (2009)[URL]
  12. Zipes, Jack, "Fairy Tale as Myth: Myth as Fairly Tales(Cross-Culturalism in Children's Literature)" (1988), New York: Pace Univ.

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