Coleridge’s Conversation Poems: Romantic Likening and the Vision of One Life
0
조회
0
다운로드
2
인용
0
참고문헌
키워드
초록
In his conversation poems, Samuel Taylor Coleridge is looking at how a part can be related to a whole. In his two conversation poems, The Eolian Harp and This Lime-Tree Bower My Prison in particular Coleridge explores the mysteries of the One Life postulating visible things in nature are a symbolic text in which he can read figures of Romantic likening. Nature in Coleridge's episteme does not only provides its physical beauty but its encounter with the self transposes him to a cosmic communion with the mysterious order of the One Life. Subject and object participate together in the Coleridgean Romantic organicism and his poems are a record of the soul's adventures among Romantic metaphors.
Abstract
In his conversation poems, Samuel Taylor Coleridge is looking at how a part can be related to a whole. In his two conversation poems, The Eolian Harp and This Lime-Tree Bower My Prison in particular Coleridge explores the mysteries of the One Life postulating visible things in nature are a symbolic text in which he can read figures of Romantic likening. Nature in Coleridge's episteme does not only provides its physical beauty but its encounter with the self transposes him to a cosmic communion with the mysterious order of the One Life. Subject and object participate together in the Coleridgean Romantic organicism and his poems are a record of the soul's adventures among Romantic metaphors.
참고문헌 (15)
- Ashton,Rosemary, "The Life of Samuel Taylor Coleridge" (1997), Blackwell
- Abrams,M.H, "The Correspondent Breeze:Essays on English Romanticism" (1984), Norton
- Brown, Lee Rust, "Coleridge and the Prospect of the Whole", Studies in Romanticism, 30(2), pp.235~253 (1991)
- Cole, Steven E, "The Logic of Personhood: Coleridge and the Social Production of Agency", Studies in Romanticism, 30(1), pp.85~111 (1991)
- Coleridge, Samuel Taylor, "Letter from S. T. Coleridge to John Thelwall, 14 October 1797 in Romanticism: An Anthology", pp.513~514 (1994), Blackwell
- Coleridge, Samuel Taylor, "The Complete Poems" (1997), Penguin
- Coleridge, Samuel Taylor, "The Complete Works of Samuel Taylor Coleridge Vol. 5", Harper
- Garber, Frederick, "Self, Text, and Romantic Irony" (1988), Princeton UP
- Gerard, Albert S, "The Systolic Rhythm: The Structure of Coleridge’s Conversation Poems in Coleridge: A Collection of Critical Essays" (1967), Prentice Hall
- Holmes, Richard, "Coleridge: Early Visions, 1772-1804", Pantheon (1804)
- Koelzer, Robert, "Abrams Among the Nightingales: Revisiting the Greater Romantic Lyric", The Wordsworth Circle, 37(2), pp.67~71 (2006)
- Magnuson, Paul, "The ‘Conversation’ poems in The Cambridge Companion to Coleridge" (2002), Cambridge UP
- Mellor, Anne K, "Coleridge's This Lime-Tree Bower My Prison and the Categories of English Landscape in Critical Essays on Samuel Taylor Coleridge", pp.128~136 (1994), Hall
- Wolfson,Susan J, "The Questioning Presence: Wordsworth, Keats, and the Interrogative Mode in Romantic Poetry" (1986), Cornell UP
- Wu, Duncan, "Romanticism: An Anthology" (1994), Blackwell