Power Structure in Heart of Darkness
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This essay attempts to define the entity that colonizes, the entity that is exploited, the witness and in this case also an exhibitor, the various characters within the novella, the receiver or reader, and the critics that evaluate, all affect each other in achieving a meaning of the novella Heart of Darkness. Conrad, who was scornful of capitalism that institutionalized Christianity under a pretence of civilizing barbaric society, had chosen to not actively participate in political matters and events, but rather focused on merging his art to display a mosaic of political criticism within a language spectrum the audience was familiar with, with signs signifying meanings that are easy to accept. This study examines the power relations between the various entities and how Conrad’s methods described above proves effective in balancing the power entities. I intend to examine the relationships between the above mentioned entities to argue that the power relations are evident in various aspects of the novella and even in its criticism that has accumulated in the proceeding centuries, and illustrate how these relations bear fruit in the literature.
Abstract
This essay attempts to define the entity that colonizes, the entity that is exploited, the witness and in this case also an exhibitor, the various characters within the novella, the receiver or reader, and the critics that evaluate, all affect each other in achieving a meaning of the novella Heart of Darkness. Conrad, who was scornful of capitalism that institutionalized Christianity under a pretence of civilizing barbaric society, had chosen to not actively participate in political matters and events, but rather focused on merging his art to display a mosaic of political criticism within a language spectrum the audience was familiar with, with signs signifying meanings that are easy to accept. This study examines the power relations between the various entities and how Conrad’s methods described above proves effective in balancing the power entities. I intend to examine the relationships between the above mentioned entities to argue that the power relations are evident in various aspects of the novella and even in its criticism that has accumulated in the proceeding centuries, and illustrate how these relations bear fruit in the literature.
참고문헌 (15)
- Achebe, Chinua, "An Image of Africa: Racism in Conrad’s Heart of Darkness in Hopes and Impediments: Selected Essays", pp.1~20 (1989), Doubleday
- Brantlinger, Patrick, "Heart of Darkness: Anti-Imperialism, Racism, or Impressionism?", Murfin, 277~296
- Conrad, Joseph, "The Art of Fiction", The New Review, 17, pp.628~631 (1897)
- Conrad, Joseph, "The Collected Letters of Joseph Conrad, Volume 2: 1898-1902" (1986), Cambridge UP
- Conrad, Joseph, "Extracts from Correspondence, Dec 13, 1898-February 12, 1899", Kimbrough, 128~133 (1899)
- Conrad, Joseph, "Notes on Life and Letters" (2008), Cambridge UP
- Junyk, Ihor, "Beyond the Dialectic: Conrad, Levinas, and the Scene of Recognition", Modern Fiction Studies, 54(1), pp.142~159 (2008)
- Kimbrough, Robert, "Heart of Darkness: Backgrounds and Sources" (1963), Norton
- Kojève, Alexandre, "Introduction to the Reading of Hegel: Lectures on the Phenomenology of Spirit" (1980), Cornell UP
- Leopold II, "King Leopold II: His Rule in Belgium and the Congo", Kimbrough, 93~94
- Miller, J. Hillis, "Heart of Darkness Revisited", Murfin, 206~220
- Mencken, H. L, "Joseph Conrad in A Book of Prefaces", pp.161~163 (1917), Knopf
- Murfin, Ross C, "Heart of Darkness: Case Studies in Contemporary Criticism" (1996), St. Martin's
- Rabinowitz, Peter, "Reader Response, Reader Responsibility: Heart of Darkness and the Politics of Displacement", Murfin, 131~147
- Richardson, Brian, "Introduction: Conrad and the Reader", Conradiana, 35, pp.1~5 (2003)