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‘아버지들’에 대해 이야기하기—샐리 모건의 『나의 자리』가 내파하는 호주 국민서사

Implosion of Australian National Narrative in Sally Morgan’s My Place

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Sally Morgan's My Place, a landmark of Aboriginal literature, has a great meaning in terms of its recovery of the history of Aborigine and engraving its own rightful existence in Australian society, which has been rejected intentionally by whites. In some aspects, however, the narrative of My Place has been treated as just a piece of the past which should be integrated into the formation of Australian national narrative, while the history of violence and abuse to Aboriginal people by whites is being buried into the past. The purpose of this paper is to re-read and to analyze My Place to demonstrate that it is loaded with the discomfiture which could rupture white Australian national narrative. To achieve this aim, this paper critically analyzes Bill Milory and Drake-Brockman, the two white male characters who are deeply involved in the lives of three Aboriginal women characters. Through this analysis, this paper demonstrates Bill's pain was caused by his reminding of racial abuse to Aboriginal people in Australia from the memories of the Holocaust he witnessed at the Nazi's concentration camp during World War II. Also, this paper shows that the silence of Daisy as a victim of white male pioneers ironically makes the existence of Drake-Brockman and his violence and exploitation to her come to the surface of the narrative. In conclusion, this paper demonstrates that My Place, by exposing discomfitures of Australian history concerning white males, ruptures and implodes the white Australian national narrative from the basis which has been fostered through passing the shameful history of violence and exploitation into oblivion.

Abstract

Sally Morgan's My Place, a landmark of Aboriginal literature, has a great meaning in terms of its recovery of the history of Aborigine and engraving its own rightful existence in Australian society, which has been rejected intentionally by whites. In some aspects, however, the narrative of My Place has been treated as just a piece of the past which should be integrated into the formation of Australian national narrative, while the history of violence and abuse to Aboriginal people by whites is being buried into the past. The purpose of this paper is to re-read and to analyze My Place to demonstrate that it is loaded with the discomfiture which could rupture white Australian national narrative. To achieve this aim, this paper critically analyzes Bill Milory and Drake-Brockman, the two white male characters who are deeply involved in the lives of three Aboriginal women characters. Through this analysis, this paper demonstrates Bill's pain was caused by his reminding of racial abuse to Aboriginal people in Australia from the memories of the Holocaust he witnessed at the Nazi's concentration camp during World War II. Also, this paper shows that the silence of Daisy as a victim of white male pioneers ironically makes the existence of Drake-Brockman and his violence and exploitation to her come to the surface of the narrative. In conclusion, this paper demonstrates that My Place, by exposing discomfitures of Australian history concerning white males, ruptures and implodes the white Australian national narrative from the basis which has been fostered through passing the shameful history of violence and exploitation into oblivion.

참고문헌 (20)

  1. 자크 랑시에르, "정치적인 것의 가장자리에서" (2008), 도서출판 길
  2. 발터 벤야민, "발터 벤야민 선집 5" (2008), 도서출판 길
  3. 이석구, "제국과 민족국가 사이에서: 탈식민시대 영어권 문학 다시 읽기" (2011), 한길사
  4. 차희정, "호주 원주민의 도둑맞은 세대에 관한 글로컬 증언담론: 샐리 모건의 『 나의 자리 』", 현대영미소설, 19(3), pp.161~182 (2012), 한국현대영미소설학회
  5. Atwood, Bain, "Unsettling Past: Reconciliation and History in Settler Australia", Postcolonial Studies, 8(3), pp.243~259 (2005)
  6. Bird, Delys, "Whose Place?: A Study of Sally Morgan's My Place" (1992), Angus & Robertson
  7. Broun, Jody, "Unmaking White Myths: Your Laws, My Place", 23~31
  8. Docker, John, "Recasting Sally Morgan’s My Place: The Fictionality of Identity and the Phenomenology of the Converso", Humanities Research, 1, pp.3~22 (1998)
  9. Griffiths, Michael R., "A Companion to Australian Aboriginal Literature" (2013), Camden House
  10. Groen, Frances De, "Healing, Wholeness and Holiness in My Place", 32~46
  11. Gunew, Sneja, "Nation and Narration" (1990), Routledge
  12. Hills, Edward, "What Country, Friends, Is This?: Sally Morgan’s My Place Revisited", Journal of Commonwealth Literature, 32(2), pp.99~112 (1997)
  13. Hooton, Joy, "Stories of Herself When Young: Autobiographies of Childhood by Australian Women" (1990), Oxford
  14. Huggins, Jackie, "Always Was Always Will Be", Australian Historical Studies, 25(100), pp.459~464 (2008)
  15. Morgan, Sally, "My Place" (1987), Fremantle Arts Center Press
  16. Moore-Gilbert, Bart, "Postcolonial Life-Writing: Culture, Politics and Self- Representation" (2009), Routledge
  17. Narogin, Mudrooroo, "Writing From the Fringe: A Study of Modern Aboriginal Literature" (1990), Hyland
  18. Ommundsen, Wenche, "Engendering the Bicentennial Reader: Sally Morgan, Mark Henshaw and the Critics", Journal of the South Pacific Association for Commonwealth Literature and Language Studies, 36, pp.251~263 (1993)
  19. Wheeler, Belinda, "A Companion to Australian Aboriginal Literature" (2013), Camden
  20. Webby, Elizabeth, "The Cambridge Companion to Australian Literature" (2000), Cambridge UP

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