교차로에 선 소설가—존 파울즈의 문학 세계
A Novelist at the Crossroads: The Literary World of John Fowles
0
조회
0
다운로드
4
인용
0
참고문헌
키워드
초록
John Fowles, with the success of his first three major novels, took a seat among the representative postmodern metafiction novelists. His novels thoroughly manifest many features of postmodern metafiction, including ideas such as “the death of the author,” “the end of the novel,” “the self-conscious novelist,” and the conflict between fiction and reality. However, Fowles often revealed his belief in the usefulness of realistic novel traditions and moralistic didacticism in literature. His literary world depicts the chaos of the world, confusion of existence, and meaninglessness of experience. But these deconstructions are soon reorganized, recontextualized and naturalized to produce a commentary on the total significance of human existence. For Fowles, life, not art, always comes first. In David Lodge’s metaphor, Fowles stands at the crossroads, considering the alternative routes toward the ‘nonfiction novel’ and ‘fabulation,’ but never committing to one path, instead, trying to reconcile the traditions of realism and antirealism.
Abstract
John Fowles, with the success of his first three major novels, took a seat among the representative postmodern metafiction novelists. His novels thoroughly manifest many features of postmodern metafiction, including ideas such as “the death of the author,” “the end of the novel,” “the self-conscious novelist,” and the conflict between fiction and reality. However, Fowles often revealed his belief in the usefulness of realistic novel traditions and moralistic didacticism in literature. His literary world depicts the chaos of the world, confusion of existence, and meaninglessness of experience. But these deconstructions are soon reorganized, recontextualized and naturalized to produce a commentary on the total significance of human existence. For Fowles, life, not art, always comes first. In David Lodge’s metaphor, Fowles stands at the crossroads, considering the alternative routes toward the ‘nonfiction novel’ and ‘fabulation,’ but never committing to one path, instead, trying to reconcile the traditions of realism and antirealism.
참고문헌 (29)
- 밀란 쿤데라, "소설의 기술" (1990), 책세상
- Allen, Walter, "The Achievement of John Fowles", Encounter, 35, pp.64~67 (1970)
- Bagchee, Syhamal, "The Collector: The Paradoxical Imagination of John Fowles", Journal of Modern Literature, 8(2), pp.163~180 (1980)
- Barnum, Carol M., "An Interview with John Fowles", Modern Fiction Studies, 31, pp.187~203 (1985)
- Bergonzi, Bernard, "The Situation of the Novel" (1970), MacMillan
- Bradbury, Malcom, "The Contemporary English Novel" (1979), Edward Arnold
- Campbell, James, "An Interview with John Fowles", Contemporary Literature, 17(4), pp.455~469 (1976)
- Conradi, Peter, "John Fowles" (1982), Methuen
- Fowles, John, "The Magus" (1977), Cape
- Fowles, John, "The French Lieutenant’s Woman" (1969), Signet
- Gindin, James, "Postwar British Fiction: New Accents and Attitudes" (1976), Greenwood
- Halpern, Daniel, "A Sort of Exile in Lyme Regis", London Magazine, 34~46 (1971)
- Holmes, Frederick M., "The Novel, Illusion and Reality: The Paradox of Omniscience in The French Lieutenant’s Woman", Journal of Narrative Technique, 11, pp.184~198 (1981)
- Howe, Irving, "Mass Society and Postmodern Fiction", pp.190~207 (1970), Horizon
- Hutcheon, Linda, "A Poetics of Postmodernism: History, Theory, Fiction" (1988), Routledge
- Karl, Frederick R., "A Reader’s Guide to the Contemporary English Novel" (1972), Noonday
- Kermode, Frank, "The Sense of an Ending" (1973), Oxford UP
- Lodge, David, "The Novelist at the Crossroads: and other essays on fiction and criticism" (1971), Routledge & Kegan Paul
- Loveday, Simon, "The Romances of John Fowles" (1985), MacMillan
- Newquist, Roy, "Counterpoint", pp.218~225 (1964), Rand-McNally
- Olshen, Barry N., "John Fowles" (1978), Frederick Ungar
- Orr, John, "The Making of the Twentieth-Century Novel: Lawrence, Joyce, Faulkner and Beyond" (1987), MacMillan
- Palmer, William, "The Fiction of John Fowles: Tradition, Art, and the Loneliness of Selfhood" (1974), U of Missouri P
- Rackham, Jeff, "John Fowles: The Existential Labyrinth", Critique, 13, pp.89~103 (1972)
- Rankin, Elizabeth D., "Cryptic Coloration in The French Lieutenant’s Woman", Journal of Narrative Technique, 3, pp.193~207 (1973)
- Scholes, Robert, "The Orgastic Fiction of John Fowles", The Hollins Critic, 6(5), pp.1~12 (1969)
- Stevenson, Randall, "The British Novel Since the Thirties: An Introduction" (1986), B. T. Batsford
- Waugh, Patricia, "Metafiction: The Theory and Practice of Self-conscious Fiction" (1984), Methuen
- Wolfe Peter, "John Fowles: Magus and Moralist" (1976), Associated UP