울산 달리마을 풍속에 따른 농악의 갈래와 구성에 관한 제시

Abstract

Ulsan Namgu Dali Village Nongak, which originated from an agricultural society, was occasionally performed by the elderly as a seasonal custom in Ulsan Namgu Munwhawon (the Ulsan South Cultural Center) until 1980. However, it has gradually disappeared due to the dramatic changes of the social environment in Ulsan. Despite these difficulties, Ulsan Namgu Munwhawon is working to restore Dali Nongak that originated in Daldong. This research is an attempt to reestablish the traditional form of Dali Nongak in its compositional structure. It aims to compile the lifestyle, seasonal customs and the history of Dali based on literature a Japanese scholar recorded in 1936 with regard to Dali. Through this research, it was found that Dali Nongak was an elaborate Nongak in its form, which was played for the agricultural success of the region. Its formation went hand in hand with agricultural labor and seasonal customs of the village. The formations of elaborate Nongak in other regions were illustrated as examples that show a connection between seasonal customs and Nongak. I wish this study to become a foundation for recovering the original form of Dali Nongak, from when it was actively played in the agricultural environment of the 1930s.