河圖象에 나타난 六十干支의 形態 연구

Abstract

The purpose of this study is to examine the Sangsoo within the Jeomsang of Hado and discuss the correlations with the forms of Ganji. The background of the diagraming of Hadojeomsang is the system of the Saengseongsu 5 and 10 arranged in Yīnyángwǔxíng and the setting of the positions on the up, down, right, and left sides. The universe in the Asian Philosophy and everything in it is under the influence of the Sangseongsu. The division of the numbers originates from the Seoncheonsu, which was invented by Fuxi. A thousand years later, King Wen of Zhou invented the Hoocheonsoo of Nakseo, which exist in a close Chaeyong relationship. As Jindan first discovered Hado during the Song era, the principles are explained by Zhu xi of Song. Here, the Hado Hap 10 Soo are aligned with Sipcheongan, and Daeyo invented the Gangji that Sanghap with Jiji. As for the unique terms of Ganji, the theories of Yooksanghap and Yooksangchoong which gather and disperse as the characteristics of Yin Yang are assigned to Seoncheonsoo, while Heojoong Lee of Tang, who assigned Cheongan to Rokwangji converged Hoocheonsoo and Ganji. Ganji is not of a separate theory from the principles of Hado, but it converges with the sequence of Ganji connected with Sangsoo in its form. The Cheongan originated from the symbolism of Osang, while Jiji is reflected in the Choonhachoodong of each month of the year as well as the 12 Ipjeol Ibooniji, so that the spirit of Cheongan is rooted on Jiji, which is its origin. Now, it is easier to observe the changes and differences by joining the modern calendar with the Ganji system. This will serve as the necessary data for the future studies on Samwoonsasang Samgi.