화관무의 역사적 전개와 변용(變容)에 관한 연구 -황해도 무형문화재 제4호 화관무를 중심으로

Abstract

The purpose of this study is to analyze in detail the process of fusion and transformation of performance patterns according to the historical development of Hwagwanmu, designated as Hwanghae-do Intangible Cultural Heritage No.4. For this purpose, the historical characteristics of Hwagwanmu as a traditional dance are considered, and the process of settlement and stageization of the modern and contemporary period is analyzed, and the transmission and transformation of Hwagwanmu is presented. In addition, cultural background and artistic trends were identified based on historical historical analysis, and changes and fusion patterns of Hwagwanmu transmission process were specifically identified through an in-depth interview with Min Cheon-sik's direct disciple. In particular, from the period of the struggle against Japan to the present, it was a period of struggle against Japan in which the aspects of the court and the Confucianism were harmonized by concentrating on the modern and contemporary history of Hwagwanmu, from the completion of the form of the Hwagwanmu according to the Mincheon style, the process of settlement and stageization in South Korea, and the establishment of the transmission system by Kim Na-yeon. He understood the choreography of Min Cheon-sik and grasped the artistic value of the staging style through the application of dance movements and changes in music during the settlement of South Korea. Through this, first, the modern transmission process of Kim Na-yeon, who systematized the transmission through completion of the form of Hwagwanmu, is the core of the study, and the change and complementation points of the elements were newly identified. The range of variations of the performance style, which improved the artistry by applying the dance moves, was presented. Third, the history of the transmission of Hwagwanmu, which achieved artistic completion in a sophisticated style, was materialized by securing tradition and specificity based on the ideology of loyalty and respect, and complementing the dynamics of the dance moves. This study on the historical investigation and transmission of Hwagwanmu will contribute to enhancing the cultural and historical value of Hwanghae-do folk art by expanding the scope to folk art research based in North Korea.