권정생 동시 연구
A Study on children’s poetry of Gwon Jeongsaeng
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In this thesis, I researched the aspect of rewriting of Gwon- Jeongsaeng’s children’s poetry considering a part of Sambae Chima [Hemp Skirt] is the first edition of the poetry included at the 3rd chapter of Umyeni Sasinen Geu Naraenen [In the Country Mom lives]. As the result of research, it was proved that the re-writing process of Gwon Jeongsaeng’s children’s poetry has two major directions, that is regarding the content, the basis of realism was emphasized, and regarding the structure, the poetic word and plot were getting simplified and standardized. It was not just the progress of writing performance or natural consequences inrewriting but to implicate more than that. Gwon Jeongsaeng had rewritten the poems with the obvious goal to achieve the realism. However, when I evaluate each poem only in the critical point of view, the changes of emphasizing themes and simplifying structures had harmed the literary value of his poetry. It is not only the aspect of the change of Gwon Jeongsaeng’s children’s poetry but also the critical point to review the characters and limits of the children’s poetry in 1980s based on the realism.
Abstract
In this thesis, I researched the aspect of rewriting of Gwon- Jeongsaeng’s children’s poetry considering a part of Sambae Chima [Hemp Skirt] is the first edition of the poetry included at the 3rd chapter of Umyeni Sasinen Geu Naraenen [In the Country Mom lives]. As the result of research, it was proved that the re-writing process of Gwon Jeongsaeng’s children’s poetry has two major directions, that is regarding the content, the basis of realism was emphasized, and regarding the structure, the poetic word and plot were getting simplified and standardized. It was not just the progress of writing performance or natural consequences inrewriting but to implicate more than that. Gwon Jeongsaeng had rewritten the poems with the obvious goal to achieve the realism. However, when I evaluate each poem only in the critical point of view, the changes of emphasizing themes and simplifying structures had harmed the literary value of his poetry. It is not only the aspect of the change of Gwon Jeongsaeng’s children’s poetry but also the critical point to review the characters and limits of the children’s poetry in 1980s based on the realism.
참고문헌 (21)
- 권정생, "어머니 사시는 그 나라에는" (1988), 지식산업사
- 권정생, "삼베치마" (2011), 문학동네
- 권정생, "나만 알래" (2012), 문학동네
- 권정생, "꽃 속에 묻힌 집" (1979), 창비
- 권정생, "해바라기 얼굴" (1987), 창비
- 권정생, "살구꽃 봉오리를 보니 눈물이 납니다" (2003), 한길사
- 김상욱, "권정생 동시의 세 가지 양상", 창비어린이, (4) (2005)
- 김유진, "‘본격동시’ 담론 연구", 박사, pp.2015
- 엄혜숙, "권정생 문학 연구", 박사, 국어국문학, pp.2010
- 장영애, "권정생 동시 연구", 석사, 초등국어교육, pp.2007
- 고형진, "한국현대시사" (2007), 민음사
- 권정생, "빌뱅이 언덕" (2012), 창비
- 김준오, "시론" (2002), 삼지원
- 김준오, "현대시와 장르 비평" (2009), 문학과 지성사
- 안도현, "권정생 동시 읽기" (2005), 현북스
- 오세영, "한국 현대시 분석적 읽기" (1998), 고려대 출판부
- 원종찬, "권정생의 삶과 문학" (2008), 창비
- 유성호, "한국현대시문학사" (2005), 소명
- 이기영, "작은 사람 권정생" (2014), 단비
- 이오덕, "아동시론" (2006), 굴렁쇠
- 이주영, "이오덕, 아이들을 살려야 한다" (2011), 보리
