<武夷櫂歌>와 <陶山十二曲>의 비교연구

Abstract

This thesis purports to comparatively study Mooyeegugogga and Dosanseebigok from the perspective of 'Sansoo' literature. The two poems are important in that we can take a look at cultural exchanges between Korea and China and transformations of their images. We can make the following conclusions: Firstly, the natural environment of Mooyeegugogga can be seen from both the perspective view and the foreground view. Its scope is so wide and rough that it cannot be called Zuzi's routine life space. Therefore, it is difficult to grasp the whole of Gugog's landscape from the perspective view. Secondly, making a tour of Gugog is characteristic of specialty and temporality, meant to escape from routines and feel transcendental emotions. Zuzi portrayed, through his empathy, the natural environment as an utopia transcending reality. Thirdly, the natural environment of Dosanseebigok functions as cultural landscape, and is characteristic of factual and experiential routines. The harmony of life space and the natural environment made the poem realize the ideal of specific landscape beauty. Fourthly, Zuzi pays attention to the factual of the natural environment because of his realistic aesthetic attitude. This means changes in his aesthetic object and sense. Fifthly, the plain life space of 'Ninth Gog' is the aesthetic status of Mooyeegugoga. But it didn't reach the general beauty of great nature expressed in the specific landscape, such as Mooye's landscape. Sixthly, the aesthetic status of Mooyeegugogga is expressed as simplicity in Dosanseebigok. This simplicity becomes symbolic of the general beauty of great nature implicating metaphysical ideologies through T'oegye's learning and self-practice.