「김인향전」에 나타난 원근(遠近) 구도의 공간 배치와 기능

Abstract

This article discusses the spatial arrangement and function of the perspective structure in <Kim In-hyang jeon>. The Inhyangdang is a central space where the main character reaches suicide in the midst of separation and imprisonment between brothers, hunger and physical labor, adultery and pregnancy. The space most closely placed around the Inhyangdang is the place of Kim jwasu. The space is an anti-human space that kills her daughter because of the face of the family. The place of Yuhanrim, where In-hyang was fully revived, is also close to the Inhyangdang. The space of Yuhanrim is the foundation of the nation and society, and it tells the fact that Confucian values ​​still exist. Spaces placed close to the Inhyangdang are exist customs and ideology in a static. Cotton fields are space placed a long distance from the Inhyangdang. The space is where the characters of the primitive instincts who kill for their desires appear. Dongheon is a space that spreads secret events to the public through the method of 'rumour'. Shimcheon-dong, which is located at the farthest distance, is a dynamic space that contains the suicide, resurrection and revenge of the main character. In the spaces placed far from the Inhyangdang, there are changes in the existing conventional and typical characters and events. The space arrangement of the perspective structure in <Kim In-hyangjeon> created the space of static and dynamic. These spaces have a literary function that shows the social image in which the conservative and dismantlement of ideology were mixed. It also plays a literary function of pursuing surrogate satisfaction with equal life by utilizing horror stories that started from the tragedy such as murder and suicide.