朝鮮朝 宗廟祭禮樂의 變遷 小考

Abstract

Historical Change of Royal Ancestral Shrine Music and Dance in the Chosŏn Dynasty Yi Suk-hŭi Royal ancestral shrine music and dance (Chongmyo cherye akmu 宗廟祭禮樂舞) of Chosŏn Dynasty belonged to the auspicious rites known as killye 吉禮, one of five rites (orye 五禮) consisting of killye, karye 嘉禮, pillye 賓禮, kullye 軍禮 and hyungrye 凶禮. During the entirely period of Chosŏn dynasty court ritual music and dance was an important part of court ritual ceremonies, and Chongmyo cherye akmu has not been exceptional until today. This study is attempts to investigate a historical change of Royal ancestral shrine music and dance from the 15th century onward. This paper covers seven topics: 1. Introduction, 2. Before 1463 (9th Year of King Sejo 世祖), 3. From 1464 to 1502 (8th Year of Yŏnsan'gun 燕山君), 4. From 1503 to 1909, 5. From 1910 to 1940, 6. From 1930 to Present, 7. Conclusion. From an extensive investigation of source materials in the main discussion, the following is pointed out in conclusion. First, Royal ancetral shrine dance of the early Chosŏn period was called as Yŏlmunjimu 烈文之舞 and Somujimu 昭武之舞 consisting of 48 ritual dancers. Second, the ritual dances were replaced by Chŏngdaeŏp 定大業 and Pot'aep'yŏng 保太平 after the 10th year of King Sejo 世祖 (1464). Third, the title of Chŏngdaeŏp and Pot'aep'yŏng was changed into Pot'aehwa 保太和 and Hyangmannyŏn 享萬年 during the Japanese colonial period. Fourth, ritual dance for Royal ancestral shrine between 1919 and 1940 was educated by the literary source Siyong mubo ꡔ時用舞譜ꡕ. Fifth, ritual dance for Royal between 1955 and 1968 was not educated. Lastly the present ritual dance for Royal ancestral shrine may be said to be based on those of Siyong mubo and musicians' memory.