한국 영화 <독전: Believer>에 나타난 크리스티앙메츠의 거대 통합체 이론 분석

Abstract

Based on Christian Mets' theory of grand integration, the study attempts to thoroughly and in depth analyze the image and narrative structure of the film, < Believer>, in what it looks like. According to him, movies are a form of communication that is symbolized according to culture and customs, and every time they fail, they continue to try to explain images with rules of language. So this paper is too broad to deal with all the issues that Mets has been working on, so it tries to logically analyze the overall research trends and recent narrative films by substituting them for the theory of large integrals. Therefore, this paper first attempts to extract and analyze common and common elements from the differences between language and film language and the different concepts that are dissolved in the scene. It will then look at how Mets' giant integrator is specifically applied to images and how it serves as a bridge that links the appearance of new theories