무의식적 관점에서 본 몽유도원도: 안평대군의 꿈 분석을 중심으로
Study for Mongyu Dowondo ‒ Dream Journey to the Peach Blossom Land ‒ in the Perspective of the Unconscious: Centering on Dream Interpretation of Prince An Pyeong
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This is the first study analyzing Prince An Pyeong’s dream, the main character of “Dream Journey to the Peach Blossom Land (henceforth abbreviated <Dream Journey>),” which is the most important milestone in the history of Korean painting, from a psychoanalytic perspective. According to the analysis of Prince An Pyeong’s <Dream Journey>, which is based on Tao Yuanming’s <The Peach Blossom Spring>, a representative poet of China’s Jin(晉) Dynasty, “Prince An-pyeong wishes for a world of father object with a mother object.” Utopia for An Pyeong was an unconscious fantasy that repeatedly emerged at the end of King Se- jong’s reign, and his life’s direction was to follow his father’s will and protect the eldest son’s succession as desired by the father. Based on the foregoing analysis, the author concluded that in the Korean utopia, King Sejong’s space as an important object, was unconsciously progressing and how the unconscious contents-latent dream-affected the artistic form.
Abstract
This is the first study analyzing Prince An Pyeong’s dream, the main character of “Dream Journey to the Peach Blossom Land (henceforth abbreviated <Dream Journey>),” which is the most important milestone in the history of Korean painting, from a psychoanalytic perspective. According to the analysis of Prince An Pyeong’s <Dream Journey>, which is based on Tao Yuanming’s <The Peach Blossom Spring>, a representative poet of China’s Jin(晉) Dynasty, “Prince An-pyeong wishes for a world of father object with a mother object.” Utopia for An Pyeong was an unconscious fantasy that repeatedly emerged at the end of King Se- jong’s reign, and his life’s direction was to follow his father’s will and protect the eldest son’s succession as desired by the father. Based on the foregoing analysis, the author concluded that in the Korean utopia, King Sejong’s space as an important object, was unconsciously progressing and how the unconscious contents-latent dream-affected the artistic form.
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