톰 스토파드의 ‘사이’ 공간의 무대 미학: 『로젠크란츠와 길던스턴은 죽었다』를 중심으로

참고문헌 (13)

1. "Stoppard의 Roscencrantz and Gildenstern Are Dead에서 Playworld의 의미와 The Player의 역할", pp.259~285 (1989)
2. Bloom, Harold, "Tom Stoppard" (2003), Philadelphia: Chelsea House
3. Delaney, "Paul. ed. Tom Stoppard in Conversation. The University of Michigan Press" (1994)
4. Draudt, "'Two Sides of the Same Coin or the Same Side of Two Coins' An Analysis of Tom Stoppard's Roscencrantz and Gildenstern Are Dead", pp.348~357
5. Fleming, John, "Stoppard's Theatre: Finding Order amid Chaos" (2001), Austin: University of Texas Press
6. Margarete, "A Mocking of Theatrical Conventions the Fake Death Scenes in the White Devil and Roscencrantz and Gildenstern Are Dead", pp.426~428
7. Hunter, Jim, "About Stoppard: the Playwright and the Work" (2005), London: Faber and Faber
8. Jenkins, "Anthony. The Theatre of Tom Stoppard. Cambridge" (1987)
9. Kelly, Katherine E., "The Cambridge Companion to Tom Stoppard" (2001), New York: Cambridge UP
10. Lehmann, Hans-Thies, "Postdramatisches Theater" (1999), Frankfurt
11. Ruskin, "Phyllis. The Strategy of Theatricalization in the Early Stage Plays of Tom Stoppard. Los Angeles University of California" (1982)
12. Vanden Heuvel, "University of Michigan Press" (1991)
13. Vanden Heuvel, "University of Michigan Press" (1991)

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