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루이스 캐럴의 『이상한 나라의 앨리스』에 나타난 ‘세계상’의 와해

Lewis Carroll's Alice's Adventures in Wonderland and the Dissolution of 'the World Picture'

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This essay examines the dissolution of what Heidegger calls 'the age of the world picture' in Lewis Carroll’s book Alice's Adventures in Wonderland. 'The world picture' is a term coined by Heidegger to express the essence of the modern age. It does not simply mean the image of the world, but signifies the world as represented or set up by 'the I' who has a continuous and stable identity. Heidegger suggests that the modern age started with the liberation from the bonds of the Middle Ages, but argues that the essence of the modern age lies in the fact that the certainty of truth is only found within 'the I'. According to him, by acquiring the validity of subjective truth, humans consider their own conception of the world as the 'true' world. Alice's Adventures in Wonderland presents some circumstances that the validity of 'the world picture' is no longer guaranteed. As a person who sticks to the “above ground” order and values, Alice tries to arrange and give order to things in Wonderland according to her own norm, but doing that she only finds her efforts fail her. She even feels that her own identity is unstable. In Wonderland every ground order and system is ignored or blurred: the hierarchy between man and animal is overturned; the roles of animate things and inanimate things are switched; there are no rules on games and trials. Perhaps Carroll, like Alice, feels more comfortable with the modern age where the world is orderly and comprehensible. However, in many cases he must feel that real circumstances are absurd or discordant to the existing world order, as is reflected in Alice's Adventures in Wonderland. Reluctant as he may be to admit it, he feels what Heidegger calls 'the age of the world picture' is nearing the end.

Abstract

This essay examines the dissolution of what Heidegger calls 'the age of the world picture' in Lewis Carroll’s book Alice's Adventures in Wonderland. 'The world picture' is a term coined by Heidegger to express the essence of the modern age. It does not simply mean the image of the world, but signifies the world as represented or set up by 'the I' who has a continuous and stable identity. Heidegger suggests that the modern age started with the liberation from the bonds of the Middle Ages, but argues that the essence of the modern age lies in the fact that the certainty of truth is only found within 'the I'. According to him, by acquiring the validity of subjective truth, humans consider their own conception of the world as the 'true' world. Alice's Adventures in Wonderland presents some circumstances that the validity of 'the world picture' is no longer guaranteed. As a person who sticks to the “above ground” order and values, Alice tries to arrange and give order to things in Wonderland according to her own norm, but doing that she only finds her efforts fail her. She even feels that her own identity is unstable. In Wonderland every ground order and system is ignored or blurred: the hierarchy between man and animal is overturned; the roles of animate things and inanimate things are switched; there are no rules on games and trials. Perhaps Carroll, like Alice, feels more comfortable with the modern age where the world is orderly and comprehensible. However, in many cases he must feel that real circumstances are absurd or discordant to the existing world order, as is reflected in Alice's Adventures in Wonderland. Reluctant as he may be to admit it, he feels what Heidegger calls 'the age of the world picture' is nearing the end.

참고문헌 (19)

  1. Carroll, Lewis, "The Annotated Alice" (2001), Penguin Books
  2. Demurova, Nina, "Toward a Definition of Alice's Genre: The Folktale and Fairy-Tale Connections."Lewis Carroll: A Celebration", pp.1982, Clarkson N. Potter, Inc
  3. Gardner,Martin, "The Universe in a Handkerchief:Lewis Carroll's Mathematical Recreations,Games,Puzzles,and Word Plays" (1996), Copernicus
  4. Heidegger, Martin, "The fundamental concepts of metaphysics : world, finitude, solitude" (1995), Indiana UP
  5. Heidegger, Martin, "The Age of the World Picture in The Question Concerning Technology", Harper & Row Publishers, pp.115~154 (1977)
  6. Mathematics, "Modern Science, Metaphysics", pp.267~306 (1993), HarperSanFrancisco
  7. Henkle, Roger B., "Carroll's Narrative Underground: "Modernism" and Form", pp.1982, Inc
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  11. May, Leila S., "Wittgenstein's Reflection in Lewis Carroll's Looking- Glass", Philosophy and Literature, 31, pp.79~94 (2007)
  12. Ostry, Elaine, "Magical Growth and Moral Lessons; or How the Conduct Book Informed Victorian and Edwardian Children's Fantasy", The Lion and the Unicorn, 27, pp.27~56 (2003)
  13. Prickett, Stephen, "Victorian Fantasy" (2005), Baylor UP
  14. Rackin, Donald, "Alice's Journey to the End of Night", PMLA, 81, pp.313~326 (1966)
  15. Rackin, Donald, "Lewis Carroll: A Celebration", pp.1982, Clarkson N. Potter, Inc
  16. Sherer Susan, "Secrecy and Autonomy in Lewis Carroll", Philosophy and Literature, 20, pp.1~19 (1996)
  17. Taylor, A.L., "The White Knight: A Study of C.L.Dodgson", Oliver & Boyd (1952)
  18. Tuerk, Richard, "Upper-Middle-Class Madness: H.G.Well's Time Traveller Journeys to Wonderland", Extrapolation, 46, pp.517~526 (2005)
  19. Wullschlager, Jackie, "Inventing Wonderland" (1995), The Free Press

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