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워즈워스의 예측불능의 역학

Wordsworthian “Dynamics of Unpredictability”

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Many critics have not paid much attention to William Wordsworth’s reliance upon the concept of unpredictability which is fundamental to his poetic project. He holds a strong faith in the notion of chance, the limitless nature of possibility. He strives for an understanding of nature which is separated from Enlightenment notions of causality. Critics’ reading of his poetry is quite related to Laplace’s way of reading of the universe as controlled and structured by orderly laws. Wordsworth indicates that the manifestations of nature provide an abundant description of the idea of chance. This paper elaborates upon The Prelude (1799, 1805, 1850) to explore Wordsworth’s representation of unpredictability. The Prelude demonstrates from the start that unpredictability is inherent and chance is a natural aspect of nature. Much critical attention has been paid to his “spots of time” which are associated with his memories of chance. These are related to his recollection of childhood events that have no absolutely discernable cause and effect. These implicate that his imagination is derived from numerous accidents by chance. He suggests that distortions and disruptions of the natural world cannot be explained or rationalized. What he recognizes through numerous accidents in nature is chance, flux, change, and dynamics.

Abstract

Many critics have not paid much attention to William Wordsworth’s reliance upon the concept of unpredictability which is fundamental to his poetic project. He holds a strong faith in the notion of chance, the limitless nature of possibility. He strives for an understanding of nature which is separated from Enlightenment notions of causality. Critics’ reading of his poetry is quite related to Laplace’s way of reading of the universe as controlled and structured by orderly laws. Wordsworth indicates that the manifestations of nature provide an abundant description of the idea of chance. This paper elaborates upon The Prelude (1799, 1805, 1850) to explore Wordsworth’s representation of unpredictability. The Prelude demonstrates from the start that unpredictability is inherent and chance is a natural aspect of nature. Much critical attention has been paid to his “spots of time” which are associated with his memories of chance. These are related to his recollection of childhood events that have no absolutely discernable cause and effect. These implicate that his imagination is derived from numerous accidents by chance. He suggests that distortions and disruptions of the natural world cannot be explained or rationalized. What he recognizes through numerous accidents in nature is chance, flux, change, and dynamics.

참고문헌 (18)

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  2. Abrams, M. H, "Natural Supernaturalism: Tradition and Revolution in Romantic Literature" (1971), Norton
  3. Cunningham, Andrew, "Romanticism and Sciences" (1990), Cambridge UP
  4. Collings, David, "A Vocation of Error: Authorship as Deviance in the 1799 Prelude", Papers on Language & Literature, 29(2), pp.215~235 (1993)
  5. Gigerenzer,Gerd, "The Empire of Chance:How Probability Changed Science and Everyday Life" (1989), Cambridge UP
  6. Hacking,Ian, "The Taming of Chance" (1990), Cambridge UP
  7. Hartman,Geoffrey, "The Unremarkable Wordsworth" (1987), University of Minnesota Press
  8. Hartman,Geoffrey, "Wordsworth’s Poetry", pp.1787~1814 (1964), Yale UP
  9. 조재근, "Periodization in the History of Statistics", Communications for Statistical Applications and Methods, 11(1), pp.31~47 (2004), 한국통계학회
  10. Kavanagh,Thomas M, "Enlightenment and the Shadows of Chance:The Novel and the Culture of Gambling in Eighteenth-Century France" (1993), The Johns Hopkins UP
  11. Laplace, Pierre Simon, "A Philosophical Essay on Probabilities. Trans. Frederick Wilson Truscott and Frederick Lincoln Emory" (1951), Dover Publications
  12. Liu,Alan, "Wordsworth:A Sense of History" (1991), Stanford UP
  13. Pfau,Thomas, "Wordsworth’s Profession:Form,Class,and the Logic of Early Romantic Cultural Production" (1997), Stanford UP
  14. Rajan,Tilottama, "Dark Interpreter:The Discourse of Romanticism" (1980), Cornell UP
  15. Rousseau, Jean-Jacques, "Reveries of the Solitary Walker" (1979), Penguin
  16. Wimsatt, William K, "The Structure of Romantic Nature Imagery, In Romanticism and Consciousness: Essays in Criticism", pp.77~88 (1970), Norton
  17. Woolford, John, "Wordsworth Agonistes", Essays in Criticism, 31, pp.27~40 (1981)
  18. Wordsworth, William, "The Prelude: 1799, 1805, 1850" (1979), Norton

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