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나보코프의 글쓰기 욕망과 소아성애증: 『롤리타』를 중심으로

Nabokov’s Writing on Desire and Paraphilia: With Reference to Lolita

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This paper aims to trace Nabokov’s writing on desire and paraphilia with references to Lolita. Nabokov’s reputation was tarnished for writing about paraphilia, This paper will investigate this through Strong Opinion, Speak Memory and Lolita. The purpose of this paper is to provide a bridge between the author’s lived experience and his re-creation of the experience in his writing. We can suppose that Nabokov has a paraphilic character. We can read Lolita as a novel and assume that it expose author’s inner mind. Nabokov mentions his inner mind when he says “an American critic suggested that Lolita was the record of my love affair with the romantic novel. The substitution ‘English language’ for ‘romantic novel’ would make this elegant formula more correct” in his postscript, “On a Book Entitled Lolita”. The superficial theme of the novel is developed through Humbert’s love for Lolita, but when we delve into the novel’s deeper meaning, we discover that Lolita depicts Nabokov’s nostalgia and his desire to write in English. Nabokov thinks that a novel is a chess game with the reader using puns and word play. Lolita begins with “Lolit, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta” and ends with “my Lolita.” Nabokov wants to focus on Lolita’s name pronunciation rather than to transfer Lolita’s moral contents into a social lesson. Nabokov mentioned “Lolita should make all of us ... apply ourselves with still greater vigilance and vision to the task of bring up a better generation in a safer world” in Lolita. The final section (the killing to Quilty) of the novel seems to be about redemption and purification through symbolic destruction.

Abstract

This paper aims to trace Nabokov’s writing on desire and paraphilia with references to Lolita. Nabokov’s reputation was tarnished for writing about paraphilia, This paper will investigate this through Strong Opinion, Speak Memory and Lolita. The purpose of this paper is to provide a bridge between the author’s lived experience and his re-creation of the experience in his writing. We can suppose that Nabokov has a paraphilic character. We can read Lolita as a novel and assume that it expose author’s inner mind. Nabokov mentions his inner mind when he says “an American critic suggested that Lolita was the record of my love affair with the romantic novel. The substitution ‘English language’ for ‘romantic novel’ would make this elegant formula more correct” in his postscript, “On a Book Entitled Lolita”. The superficial theme of the novel is developed through Humbert’s love for Lolita, but when we delve into the novel’s deeper meaning, we discover that Lolita depicts Nabokov’s nostalgia and his desire to write in English. Nabokov thinks that a novel is a chess game with the reader using puns and word play. Lolita begins with “Lolit, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta” and ends with “my Lolita.” Nabokov wants to focus on Lolita’s name pronunciation rather than to transfer Lolita’s moral contents into a social lesson. Nabokov mentioned “Lolita should make all of us ... apply ourselves with still greater vigilance and vision to the task of bring up a better generation in a safer world” in Lolita. The final section (the killing to Quilty) of the novel seems to be about redemption and purification through symbolic destruction.

참고문헌 (19)

  1. 블라디미르 나보코프, "러시아 문학강의" (2012), 을유문화사
  2. Centerwell, Brandon S., "Hiding in Plain Sight: Nabokov and Pedophilia", Texas Studies in Literature and Language, 32(3), pp.468~484 (1990)
  3. Coutrier, Maurice, "Narcissism and Demand in Lolita", Nabokov Studies, 9, pp.19~46 (2005)
  4. Field, Andrew, "VN: The life and Art of Vladimir Nabokov" (1986), Crown
  5. Fowler, Douglas, "Reading Nabokov" (1974), Cornell UP
  6. Hiatt, L. R., "Nabokov’s Lolita: A ‘Freudian’ Cryptic Crossword", American Imago, 24(4), pp.360~370 (1967)
  7. Ingham, John M, "Primal Scene and Misreading in Nabokov’s Lolita", American Imago, 59(1), pp.27~52 (2002)
  8. Lacan, Jacques, "Ecrits: A Selection" (1977), Travistock
  9. Lacan, Jacques, "The Four Fundamental Concepts of Psychoanalysis" (1977), Penguin
  10. Nabokov, Vladimir, "Lectures on Literature" (1980), Harcourt Brace Jovanovich
  11. Nabokov, Vladimir, "Speak, Memory" (1989), Vintage International
  12. Nabokov, Vladimir, "Strong Opinions" (1973), McGraw-Hill
  13. Nabokov, Vladimir, "The Annotated Lolita. Rev. and Updated" (1970), Vintage Books
  14. Nabokov, Vladimir, "The Real life of Sebastian Knight" (1941), New Directions
  15. Olsen, Lance, "‘Lolita’: A Janus Text", Twayne’s Masterwork Studies, 153
  16. Proffer, Carl., "Keys to ‘Lolita’" (1974), Indiana UP
  17. Rycroft, Charles, "A critical Dictionary of Psychoanalysis" (1995), Penguin Books
  18. Stegner, Page, "Escape into Aesthetics: The Art of Vladimir Nabokov" (1967), Eyre and Spottiswoode
  19. Wood, Michael, "The Magician’s Doubts: Nabokov and the Risks of Fiction" (1995), Princeton UP

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