윤리적 공간을 위한 도모: 제키 시블리스 드루리의『 페어뷰 』를 중심으로
Promoting for Ethical Space: Focused on Jackie Sibblies Drury’s Fairview
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
Jackie Sibblies Drury goes further in the black diaspora play, which attempted to regain the lost voice of the past and rewrite history, and points out the dangers of racial prejudice. At the same time, it suggests that theater can serve as an ethical space to present a fair view of race. The direction Drury’s play pursues is to properly understand and empathize with others who had the nature of the involuntary inherited trauma heritage. The most important part of drury’s play is to break the repetitive link of racial prejudice and find an opportunity to change for the generation living in the present. Drury reveals the prevalent racial prejudice through the Fairview, and the white mainstream audience realizes that (s)he is the cause of the unknown uncomfortable gaze and anxiety felt by the Fraser family as the play progresses. The audience’s participation, which is the biggest feature of this play and breaks down the concept of traditional plays, is Drury’s unique playwriting method to rethink and change the audience’s perception. This point is the moment that proves the performance that gives the audience a sensory experience at this moment. Drury’s play suggests that the theater needs a broad perspective and ethical change on others, that is, minorities.
Abstract
Jackie Sibblies Drury goes further in the black diaspora play, which attempted to regain the lost voice of the past and rewrite history, and points out the dangers of racial prejudice. At the same time, it suggests that theater can serve as an ethical space to present a fair view of race. The direction Drury’s play pursues is to properly understand and empathize with others who had the nature of the involuntary inherited trauma heritage. The most important part of drury’s play is to break the repetitive link of racial prejudice and find an opportunity to change for the generation living in the present. Drury reveals the prevalent racial prejudice through the Fairview, and the white mainstream audience realizes that (s)he is the cause of the unknown uncomfortable gaze and anxiety felt by the Fraser family as the play progresses. The audience’s participation, which is the biggest feature of this play and breaks down the concept of traditional plays, is Drury’s unique playwriting method to rethink and change the audience’s perception. This point is the moment that proves the performance that gives the audience a sensory experience at this moment. Drury’s play suggests that the theater needs a broad perspective and ethical change on others, that is, minorities.
참고문헌 (17)
- 곽진아, "드루리의 메타드라마: 은폐된 첫 번째 대학살의 폭로", 현대영미드라마, 33(3), pp.41~68 (2020), 한국현대영미드라마학회
- 김연숙, "레비나스의 존재와 다르게-본질의 저편 읽기" (2018), 세창미디어
- 전연희, "재키 드루리의 『페어뷰』에 나타난 불편한 진실", 人文科學硏究, 43, pp.159~182 (2021), 인문과학연구소[DOI]
- "Interview: Ben Brantley on Shutting the Stage Door Behind Him" (2020)[URL]
- Breaux, Shane, "Seeking a Fairer View : Smashing Theatrical Mirrors in Contemporary Black Drama", Performance and Art, 42(2), pp.75~87 (2020)
- "Erik Ehn and Jackie Sibblies Drury in Conversation" (2012)[URL]
- Drury, Jackie Sibblies, "Fairview" (2019), Theatre Communications Group
- "Krigwa Playwers Little Negro Theatre, ca. 1926. W. E. B. Du Bois Papers. Special Collections and University Archives" (2022)[URL]
- Frisina. Kyle C., "Contemporary African-American Drama at Visuality’s Limits", Modern Drama, 63(2), pp.197~220 (2020)
- Karen, D’Souza, "BOLD FAIRVIEW’ DARES TO PUSH ALL THE BUTTONS", The Mercury News: San Jose, ~ (2020)
- Levinas, Emmanuel, "Otherwise than Being or Beyond Essence" (1981), The Hague
- Levinas, Emmanuel, "Totality and Infinity: An Essay on Exteriority" (1979), The Hague
- Levinas, Emmanuel, "The Levinas Reader", pp.75~87 (1989), Blackwell
- Levinas, Emmanuel, "The Levinas Reader", pp.166~189 (1989), Blackwell
- Pearce, Michael, "Making Whiteness Visible and Felt in Fairview", Humanities, 10(2), pp.81~96 (2020)
- Pierce, Jerald Raymond, "A New Wave of Black playwright Has Upended The Myth of The Singular Genius, Even as Tokenism and Constraining Expectation Persist : WE’RE GOING TO NEED A BIGGER TABLE", America Theatre. March, 19, pp.57~61 (2019)[DOI]
