건국(建國)의 파토스와 고백의 시쓰기-해방기 김상훈의 시 세계

Abstract

This thesis aims at studying the peculiarity of Haebang period’s poetry, chiefly concerned with the works of Kim sang-whun. Haebang period is one of the most noticeable period in Korean modern literature history. An aspiration for building the nation filled up Haebang period. The pathos of nation-building constructed the historical narrative and that was the gaze of Other which is interpellating the poetic subject to the identity. Kim sang-whun set off a creative writing activities at the social situation of Haebang period and his versification showed an complication of poetic and political practices. He made the issue of self-criticism into the method of confession. His poetic language was expressed by the motif of missing family and constructing a new family which was symbolized with the great leader. On the other hand Kim sang-whun’s poetic language was the process to desertion from the identified language of Other. The versification of confession presented the anxious subject which resisted to the body of history. Kim sang-whun’ poetic world shows the Haebang period’s aesthetic character that is response to the historical situation.