Transcending Worldliness: A Wagtail by Lakeside by Jo Sok (1595-1668)
1
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
Cho Sok (1595-1668) remains an unmatched bird painter in ink of literati background from the Joseon dynasty (1392-1910). Today, over 57 paintings in private and public collections around the world bear the seal of his penname, Changgang. This article focuses on two newly surfaced wagtail paintings in ink in San Francisco, arguing that such depictions of solitary birds in ink actually form the mainstream of his bird paintings. While positioning them within the stylistic and iconographic framework of his known works, it also explores their possible meaning through the psychological lens of the artist and the historical context of the period. A witness to the major historical events in seventeenth-century Korea, one of the most tumultuous times in Korean history noted for factional politics and foreign invasions under the shifting paradigms of the East Asian world order, his bird paintings encapsulate, as symbols of his unspoken words, the abiding ideals of a disheartened Neo-Confucian scholar.
Abstract
Cho Sok (1595-1668) remains an unmatched bird painter in ink of literati background from the Joseon dynasty (1392-1910). Today, over 57 paintings in private and public collections around the world bear the seal of his penname, Changgang. This article focuses on two newly surfaced wagtail paintings in ink in San Francisco, arguing that such depictions of solitary birds in ink actually form the mainstream of his bird paintings. While positioning them within the stylistic and iconographic framework of his known works, it also explores their possible meaning through the psychological lens of the artist and the historical context of the period. A witness to the major historical events in seventeenth-century Korea, one of the most tumultuous times in Korean history noted for factional politics and foreign invasions under the shifting paradigms of the East Asian world order, his bird paintings encapsulate, as symbols of his unspoken words, the abiding ideals of a disheartened Neo-Confucian scholar.
참고문헌 (16)
- Ahn, Hwi-joon 安輝濬., (1983), Ilji-sa
- (2006), National Museum of Korea
- Choe, Sunu. 崔淳雨., (1994), Hakgojae
- Choi, Woo-Young, "The Public Spirit of Sarim Politics in the Mid-Joseon Period: Its Ideology, Structure, and Change", PhD, pp.2002
- "Misulsa yeongu 美術史硏究", 1997, 36~42
- "MA", Ewha Womans University, 1999
- "Misul jaryo 美術資料", 1991, 60~
- "Hanguk komisul 韓國 古美術", 1997, 48~
- 장지성, "趙涑의 <老樹捿鵲>과 <古梅瑞鵲>에 대한 樣式的 比較 考察", 동악미술사학, (18), pp.67~94 (2015), 동악미술사학회[DOI]
- O, Sechang 吳世昌, (1928), Gyemyeong gurakbu
- O, Sechang 吳世昌, (1968), Gukhoe doseogwan
- (1981), Pungyang Jossi hwasuhoe 豊壤趙氏花樹會
- Wagner, Edward W., "The Literary Purges: Political Conflict in Early Yi Korea" (1974), Harvard East Asian Monographs
- Wagner, Edward W, "A New History of Korea" (1984), Iljogak
- "National Museum of Korea", 2008