가면극의 판소리 수용에 관한 연구

Abstract

This article analyzes the pattern how the Masque embraces P’ansori by comparing lyricsin the Masque, which is similar to P’ansori, with the actual P’ansori passages. The patternof absorbing P’ansori has been analyzed through a comparison of the Masque recording,which is located at the National Research Institute of Cultural Heritage, and the P’ansorirecording, which took place at the similar era with the Masque recording. The results fromthe study are as follows. First, the configuration of the Masque lyrics shows 2 patterns, ① one that consists ofsame lyrics from P’ansori in parts or adopted repeated phrases from P’ansori but generallydifferent in composition, ② the other one that’s minimal in comparison with P’ansori butalmost similar in overall pattern. Second, wider musical range is used in P’ansori by half an octave than the Masque. Observing the vocalization, the Masque singers are not fully performing falsetto on highnotes nor the deep and genuine vocal sound, while P’ansori singers are controlling thevoice register skillfully according to the context of the songs. Third, the passages can be categorized in 3 patterns, ① the musical tone and melody aredifferent from each other ② the mood is similar but the tone is different ③ the mood oftone and melody is similar. The passage, which has similar mood but different tone, seemsto have been affected by the passages from P’ansori just as the passage with similar toneand melody has. Even though it doesn’t seem to be much reasonable to build a clearconclusion by analyzing only a dozen songs of the Masque related with P’ansori, however,these can still be assumed when looking at the results analyzed in this article. When embracing passages from P’ansori, the Masque absorbs them by changing them intoGyemyeonjo, and transforms the speed, Butimsae, range, rhythm to make it easier to beperformed. The reason for transforming the song into Gyemyeonjo when performing can beunderstood as because Gyemyuonjo as the typical mode of P’ansori, and the Masqueperformers chose to sing Gyemyeonjo in that senseA closer look at the musical features of the Masque should be taken from now onthrough analyzing a variety of vocal Masque being performed at the moment.