구로사와 아키라의 후반기 영화 스타일 고찰
Cinematic Style of the late Kurosawa Akira
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This study is analysis of the later films Kurosawa in old age produced, <Ran>(1985), <Dreams>(1990), <Rhapsody in August>(1991) and <Madadayo>(1993). In these films there are the common features such as a looseness of the narrative, a artificial and excessive colors, long take without close-ups, jump cuts, and a contrapuntal sound experiments. While the style of post-war films from <Seven Samurai>(1954) to <Kagemusha>(1980) was the dynamics of the audio-visual based on the great epic, the late films of Kurosawa adopted the auteurism form. These films have been blamed for the same reason that they openly reveals Japanese militarism and nationalism. As a result, its stylistic features have also been ignored. Nevertheless, in his late films there were the stylistic experiments reflected on film media. Secondly, while his post-war films have confirmed the ability of the director as a filmmaker, the late works have showed the artistic and experimental attitude as a auteur.
Abstract
This study is analysis of the later films Kurosawa in old age produced, <Ran>(1985), <Dreams>(1990), <Rhapsody in August>(1991) and <Madadayo>(1993). In these films there are the common features such as a looseness of the narrative, a artificial and excessive colors, long take without close-ups, jump cuts, and a contrapuntal sound experiments. While the style of post-war films from <Seven Samurai>(1954) to <Kagemusha>(1980) was the dynamics of the audio-visual based on the great epic, the late films of Kurosawa adopted the auteurism form. These films have been blamed for the same reason that they openly reveals Japanese militarism and nationalism. As a result, its stylistic features have also been ignored. Nevertheless, in his late films there were the stylistic experiments reflected on film media. Secondly, while his post-war films have confirmed the ability of the director as a filmmaker, the late works have showed the artistic and experimental attitude as a auteur.
참고문헌 (17)
- 구로사와 아키라, "구로사와 아키라 자서전 비슷한 것蝦蟇の油: 自伝のようなもの" (2014), 모비딕
- 김형석, "일본영화 길라잡이" (1999), 문지사
- 막스 테시에, "일본영화사" (1997), 동문선
- 문예춘추, "구로사와 아키라의 꿈은 천재이다" (2000), 현재
- 요모타 이누히코, "일본영화의 이해" (2000), 현암사
- 사토오 다다오, "일본영화 이야기" (1993), 다보문화사
- 이정국, "구로사와 아키라의 영화세계" (2010), 서해문집
- Kurosawa, Akira, "Something Like an Autobiography" (1983), Vintage Books
- Chion, Michel, "Audio-Vision: Sound on Screen" (1994)
- Ebert, Roger, "Rhapsody In August", Chicago Sun-Times, ~ (1992)
- Galbraith, Stuart, IV, "The Emperor and the Wolf: The Lives and Films of Akira Kurosawa and Toshiro Mifune" (2002), Faber and Faber, Inc
- Goodwin, James, "Akira Kurosawa and Intertextual Cinema" (1993), Johns Hopkins University Press
- Nogami, Teruyo, "Waiting on the Weather" (2006), Stone Bridge Press
- Prince, Stephen, "The Warrior’s Camera: The Cinema of Akira Kurosawa" (1999), Princeton University Press
- Richie, Donale, "The Films of Akira Kurosawa" (1965), University of California Press
- Yoshimoto, Mitsuhiro, "KUROSAWA: Film Studies and Japanese Cinema" (2000), Duke University Press