The Narratology of the <Russian Doll> Complex Serial Drama -Spiral Story Structure as a Time Loop-
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The critically acclaimed and popular web television series <Russian Doll> (Netflix, 2019-present) is an effective case study of how complexity of concept and storyline featured in the open end serial drama in the United States is employed towards finding a niche viewership among the plethora of shows available for consumption. <Russian Doll> utilizes the science fiction trope of the time loop to create a series that combines science fiction with mystery, drama, comedy, and even metaphysics. The time loop in <Russian Doll> takes on the form of a spiral story structure where its two main characters stuck in the time loop discover their own cycles of repeated behavior, much in a manner of a video game design, to find the right strategy to break the cycle. While other science fiction television shows employ time loops as a narrative conceit, <Russian Doll>’s innovative approach is constructing its entire first season chronologically as a temporal spiral. Therefore, this article examines <Russian Doll>’s narratology by exploring how its time loop is structured and embodies the episodic and serial formats based on its narrative traits of repetition and progression respectively.
Abstract
The critically acclaimed and popular web television series <Russian Doll> (Netflix, 2019-present) is an effective case study of how complexity of concept and storyline featured in the open end serial drama in the United States is employed towards finding a niche viewership among the plethora of shows available for consumption. <Russian Doll> utilizes the science fiction trope of the time loop to create a series that combines science fiction with mystery, drama, comedy, and even metaphysics. The time loop in <Russian Doll> takes on the form of a spiral story structure where its two main characters stuck in the time loop discover their own cycles of repeated behavior, much in a manner of a video game design, to find the right strategy to break the cycle. While other science fiction television shows employ time loops as a narrative conceit, <Russian Doll>’s innovative approach is constructing its entire first season chronologically as a temporal spiral. Therefore, this article examines <Russian Doll>’s narratology by exploring how its time loop is structured and embodies the episodic and serial formats based on its narrative traits of repetition and progression respectively.
참고문헌 (21)
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