영화에 나타난 심리적 거리와 공간의 인지
A Study on Psychological Distance and Spatial Cognition in Film
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
According to the research of cognitive psychology, the audience’s cognition of the film is based on the past experience, and the audience’s judgment on the relationship between the characters in the film space is also the same. The distance studied in this article is not the distance between the camera and the subject, but the distance between the characters in the film space. In films, spatial distance is rarely discussed by scholars. But according to researches, differences in distance make audiences have different attitudes toward people or events. The distances in this article are not just physical distances in the picture. Instead, from the perspective of audience cognition, it analyzes the physical distance and psychological distance between characters, as well as the behaviors that can adjust the psychological distance. Use the cognitive distance to analyze the relationship between characters in the film. The fourth chapter combines the analysis of the movie Parasite to illustrate the rationality of the theoretical analysis of this thesis. According to the audience's cognition process of film space, this article proposes that the spatial distance will have an impact on the judgment of the relationship between the characters in the picture. In the space of the film scenes, the audience will have different judgments on the distance between the characters. The audience’s cognition of film space is not just processing audio-visual information. The audience will judge, supplement and understand the film information based on long-term memory, and finally complete the interpretation of the film.
Abstract
According to the research of cognitive psychology, the audience’s cognition of the film is based on the past experience, and the audience’s judgment on the relationship between the characters in the film space is also the same. The distance studied in this article is not the distance between the camera and the subject, but the distance between the characters in the film space. In films, spatial distance is rarely discussed by scholars. But according to researches, differences in distance make audiences have different attitudes toward people or events. The distances in this article are not just physical distances in the picture. Instead, from the perspective of audience cognition, it analyzes the physical distance and psychological distance between characters, as well as the behaviors that can adjust the psychological distance. Use the cognitive distance to analyze the relationship between characters in the film. The fourth chapter combines the analysis of the movie Parasite to illustrate the rationality of the theoretical analysis of this thesis. According to the audience's cognition process of film space, this article proposes that the spatial distance will have an impact on the judgment of the relationship between the characters in the picture. In the space of the film scenes, the audience will have different judgments on the distance between the characters. The audience’s cognition of film space is not just processing audio-visual information. The audience will judge, supplement and understand the film information based on long-term memory, and finally complete the interpretation of the film.
참고문헌 (19)
- Hall, Edmund T., "The hidden dimension" (1966), Anchor
- Heider Fritz, Marijana, "The notebooks, Vol. 6:Units and coinciding units" (1990), Psychologie Verlags Union
- Marieb, E. N., "Human anatomy & physiology" (2018), Pearson education
- 布莱恩﹒劳森, "空间的语言" (2003), 中国建筑工业出版社
- 霍华德, "记忆的认知神经科学导论" (2008), 北京师范大学出版社
- 罗伯特, "认知心理学" (2019), 上海人民出版社
- 麦克, "认知神经科学 : 关于 心智的生物学" (2011), 中国轻工业出版社
- 남승석, "메타시네마의 스멜스케이프: <기생충>(2019)과 (가족) 센스워크", 씨네포럼, (40), pp.97~158 (2021), 영상미디어센터[DOI]
- 송민호, "공간적 로컬리티의 영화적 재현— 미국 영화에 표상된 문화코드로서의 ‘다이너(diner)’", 로컬리티 인문학, (11), pp.191~215 (2014), 한국민족문화연구소
- Alan S. Cowen, "Neural portraits of perception: Reconstructing face images from evoked brain activity", NeuroImage, 94, pp.12~22 (2014), Elsevier BV[DOI]
- Christian S. Crandall, "Balance Theory, Unit Relations, and Attribution: The Underlying Integrity of Heiderian Theory", Review of General Psychology, 11(1), pp.12~30 (2007), SAGE Publications[DOI]
- Edvard I. Moser, "Grid Cells and Neural Coding in High-End Cortices", Neuron, 80(3), pp.765~774 (2013), Elsevier BV[DOI]
- David A. Kalkstein, "Person-centered cognition: The presence of people in a visual scene promotes relational reasoning", Journal of Experimental Social Psychology, 90, pp.104009~ (2020), Elsevier BV[DOI]
- Luan. Lingfei, "Finding a Basic Interpretive Unit through the Human Visual Perception and Cognition-A Comparison between Filmmakers and Audiences", pp.2016
- Edward C. Tolman, "Cognitive maps in rats and men.", Psychological Review, 55(4), pp.189~208 (1948), American Psychological Association (APA)[DOI]
- John L. Williams, "Personal space and its relation to extraversion-introversion.", Canadian Journal of Behavioural Science, 1971, pp.3(2), 156~160[DOI]
- 孙瑾, "空间语言学中人际关系亲疏与距离的关系", 职业技术, 03(2013), pp.88~ (2013)[DOI]
- 张晓峰, "认知科学视域下的电影空间建构", 电影艺术, 06 (2021)
- "기생충", ~ (2019)
