1960년대 참여문학론의 도정 - 『비평작업』, 『청맥』, 『한양』을 중심으로 -

Abstract

Modern Criticism’s aspect spread two ways after Korea War in Korean Literature. Expecially 4·19 Student Movement make epoch an new historical period by politic, economy, culture etc. The memorial meaning of 4·19’s spirit is to exclude old regime in ones name Lee President. Such about revolutionary affect is devide two encampment as like Purism and Participation literature. Critics to be subordinate to Participation Literature are student for the most part. Because of Their’s intention is to originate 4·19’s spirit. And It’s sign new point of view about literature and history. Affair of discussion Purism and Participation with two encampment is held in 1960s late. Until now participation’s critical stream is weak appearance, unlike think about participation’s Right Hand and intention. It’s reason confusing why critics with new era are in sufficient at the attitude literature and history. However Their’s work is not ignore by the way modern criticism’s way. This Article is management about of journal like “Work of Criticism"(『批評作業』) “Blue Vascular"(『靑脈』) “Han-Yang"(『漢陽』). “Work of Criticism" is publish to student’s critic. Their’s intention is criticized to literature's organization which made in reality. Passion about literature spread to Blue Vascular. But Korea’s reality and Rule is demand to summit two nation regime. We acknowledge fact about purism and participation’s discussion is added goods criticism’s way appearance participation’s critic. And Han-Yang is show a post of activity in core of nationalism’s value in Japan. I think so that these journal make a way of participation’s criticism, and co-created modern criticism in korean literature which search for reality and history’s aspect always. Even though their's effort is not to maturity, it’s result for critics to reluctancy. However These process is show to us why criticism intented reflective direction itself.